Austerity and the Public Role of Drama Performing Lives-in-Common /

This book asks what, if any, public role drama might play under Project Austerity - an intensification phase of contemporary liberal political economy. It investigates the erosion of public life in liberal democracies, and critiques the attention economy of deficit culture, by which austerity erodes...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: Merriman, Victor (Συγγραφέας, http://id.loc.gov/vocabulary/relators/aut)
Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
Γλώσσα:English
Έκδοση: Cham : Springer International Publishing : Imprint: Palgrave Pivot, 2019.
Έκδοση:1st ed. 2019.
Θέματα:
Διαθέσιμο Online:Full Text via HEAL-Link
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245 1 0 |a Austerity and the Public Role of Drama  |h [electronic resource] :  |b Performing Lives-in-Common /  |c by Victor Merriman. 
250 |a 1st ed. 2019. 
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300 |a X, 175 p.  |b online resource. 
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505 0 |a Part I Neo-liberalism's Political and Moral Economic Project: The End of Public Life? -- 1. Introduction: Austerity and Drama's Public Role -- 2. The Public World: an idea under pressure -- 3. Drama in Public Worlds. -Part II Performance, the Academy, and the Politics of Austerity -- 4. Drama Worlds As Public Worlds -- 5. Confronting Corporate Neo-liberalism in Jim Nolan's Johnny I Hardly Knew Ye (2016) -- 6. (Re)Public Worlds: Drama as Ethical Encounter -- 7. Beyond Deficit Culture: Conceptualising Collectives -- 8. Beyond Repair: A Critical Performance Manifesto. . 
520 |a This book asks what, if any, public role drama might play under Project Austerity - an intensification phase of contemporary liberal political economy. It investigates the erosion of public life in liberal democracies, and critiques the attention economy of deficit culture, by which austerity erodes life-in-common in favour of narcissistic performances of life-in-public. It argues for a social order committed to human flourishing and deliberative democracy, as a counterweight to the political economy of austerity. It demonstrates, using examples from England, Ireland, Italy, and the USA, that drama and the academy pursue shared humane concerns; the one, a critical art form, the other, a social enabler of critical thought and progressive ideas. A need for dialogue with emergent forms of collective consciousness, new democratic practices and institutions, shapes a manifesto for critical performance, which invites universities and cultural workers to join other social actors in imagining and enabling ethical lives-in-common. 
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650 2 4 |a National/Regional Theatre and Performance.  |0 http://scigraph.springernature.com/things/product-market-codes/415080 
650 2 4 |a Performing Arts.  |0 http://scigraph.springernature.com/things/product-market-codes/415030 
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