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03807nam a2200505 4500 |
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978-3-030-04966-9 |
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DE-He213 |
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20191027003032.0 |
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190301s2019 gw | s |||| 0|eng d |
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|a 9783030049669
|9 978-3-030-04966-9
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|a 10.1007/978-3-030-04966-9
|2 doi
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|d GrThAP
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|a P306-310
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|a CFP
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|a LAN023000
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|a 418.02
|2 23
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|a Spiteri Miggiani, Giselle.
|e author.
|4 aut
|4 http://id.loc.gov/vocabulary/relators/aut
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|a Dialogue Writing for Dubbing
|h [electronic resource] :
|b An Insider's Perspective /
|c by Giselle Spiteri Miggiani.
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|a 1st ed. 2019.
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|a Cham :
|b Springer International Publishing :
|b Imprint: Palgrave Macmillan,
|c 2019.
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|a XXII, 271 p. 17 illus., 3 illus. in color.
|b online resource.
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|a text
|b txt
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|a computer
|b c
|2 rdamedia
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|a online resource
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|a text file
|b PDF
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|a Part I: The Dialogue Writing Practice: A descriptive approach -- Chapter 1: Dialogue writing set in context -- Chapter 2: Bridging disciplines: analogies and applicable devices -- Part II: Strategies and Know-how: A practical approach -- Chapter 3: Dialogue Writing Itinerary -- Chapter 4: Dubbing Deliverables -- Chapter 5: Script components -- Chapter 6: Standards and practices -- Part III: Black Box Revealed: An analytical approach -- Chapter 7: Applied strategies.
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|a This book analyses an important phase in the interlingual dubbing process of audiovisual productions: the elaboration of target language scripts for the recording studios. Written by a practitioner in the industry who is also an academic and trainer, it provides practical know-how and guidelines while adopting a scholarly, structural and methodical approach. Supported by an exemplified, analytical and theoretical framework, it is non-language specific and discusses strategies and tricks of the trade. Divided into three parts, the book provides a descriptive, practical and analytical approach to dubbing and dialogue writing. The author analyses scripts drawn from her own professional practice, including initial drafts that illustrate the various transformations of a text throughout the rewriting process. She also provides a 'backstage' perspective, from first-hand experience in recording sessions that provided first-hand knowledge of text manipulation, studio jargon, and the dubbing post production process. This publication will provide a valuable resource for novice dubbing translators and dialogue writers, while offering practitioner insights to scholars and researchers in the field of Audiovisual Translation, Film and Media Studies. .
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|a Translation and interpretation.
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|a Motion pictures.
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|a Communication.
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|a Popular Culture.
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|a Translation.
|0 http://scigraph.springernature.com/things/product-market-codes/N47000
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|a Audio-Visual Culture.
|0 http://scigraph.springernature.com/things/product-market-codes/413190
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|a Film/TV Industry.
|0 http://scigraph.springernature.com/things/product-market-codes/413170
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|a Media and Communication.
|0 http://scigraph.springernature.com/things/product-market-codes/412010
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|a Popular Culture .
|0 http://scigraph.springernature.com/things/product-market-codes/411170
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|a SpringerLink (Online service)
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|t Springer eBooks
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|i Printed edition:
|z 9783030049652
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|i Printed edition:
|z 9783030049676
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|u https://doi.org/10.1007/978-3-030-04966-9
|z Full Text via HEAL-Link
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|a ZDB-2-SLS
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|a Social Sciences (Springer-41176)
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