Creative Hubs in Question Place, Space and Work in the Creative Economy /

Creative hubs have become a cornerstone of economic and cultural policy with only the barest amount of discussion or scrutiny. This volume offers the first interrogation of creative hubs, with ground-breaking critical writing from a combination of established scholars and new voices. Looking across...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
Άλλοι συγγραφείς: Gill, Rosalind (Επιμελητής έκδοσης, http://id.loc.gov/vocabulary/relators/edt), Pratt, Andy C. (Επιμελητής έκδοσης, http://id.loc.gov/vocabulary/relators/edt), Virani, Tarek E. (Επιμελητής έκδοσης, http://id.loc.gov/vocabulary/relators/edt)
Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
Γλώσσα:English
Έκδοση: Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2019.
Έκδοση:1st ed. 2019.
Σειρά:Dynamics of Virtual Work
Θέματα:
Διαθέσιμο Online:Full Text via HEAL-Link
Πίνακας περιεχομένων:
  • Chapter 1: Introduction; Andy C. Pratt, Tarek E. Virani and Rosalind Gill
  • PART 1: LOOKING INSIDE THE CLUSTER
  • Chapter 2: Herding Cats: Co-Work, Creativity and Precarity in Inner Sydney; George Morgan and James Woodriff
  • Chapter 3: Curating Strangers; Janet Merkel
  • Chapter 4: Creative Hubs, Cultural Work and Affective Economies: Exploring 'Unspeakable' Experiences for Young Cultural Workers; David Lee
  • Chapter 5: Hubs vs Networks in the Creative Economy: Towards a 'Collaborative Individualism'; Carolina Bandinelli and Alessandro Gandini
  • Chapter 6: Community-Led Co-Working Spaces: From Colocation to Collaboration and Collectivization; Vasilis Avdikos and Eirini Iliopoulou
  • Chapter 7: Hip Hub? Class, Race and Gender in Creative Hubs; Tarek E. Virani and Rosalind Gill
  • Chapter 8: Creative Hubs: A Cooperative Space?; Marisol Sandoval and Jo Littler
  • PART 2: LOOKING OUTSIDE THE CLUSTER
  • Chapter 9: Istanbul's Sounds and its 'Creative' Hubs: Creative Actors Articulating the City into Transnational Networks through Music; Ceren Mert
  • Chapter 10: Nairobi's iHub: Technology for Society; Øyvind Økland
  • Chapter 11: Producing Values: Impact Hub Birmingham as Co-Working and Social Innovation Space; Paul Long and Annette Naudin
  • Chapter 12: Punk Rock Entrepreneurship: All-Ages DIY Music Venues and the Urban Economic Landscape; Michael Seman
  • Chapter 13: Thinking through the Creative Hub in Peripheral Places: A Long-View of the Dartington Hall Experiment in Rural Reconstruction through Creativity; Nicola J. Thomas
  • Chapter 14: From Making to Displaying: The Role of Organizational Space in Showing Creative Coolness at the Volkshotel; Boujke Cnossen
  • Chapter 15: The City as a Creative Hub: The Case of the Fashion Industry in Milan, Italy; Marianna d'Ovidio and Valentina Pacetti
  • Chapter 16: Grassroots Creative Hubs: Urban Regeneration, Recovered Industrial Factories and Cultural Production in Buenos Aires and Rio de Janeiro; Cecilia Dinardi
  • Chapter 17: Creative Hubs and the Night Time Economy: Convergent or Divergent?; Andy C. Pratt and Tom Gill
  • Chapter 18: Exploring the Relationship between Creative Hubs and Urban Policy in East London; Tarek E. Virani
  • Chapter 19: Universities as Creative Hubs: Modes and Practices in the UK Context; Daniel Ashton and Roberta Comunian.