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03897nam a2200553 4500 |
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978-3-030-12224-9 |
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DE-He213 |
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20191025003229.0 |
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190423s2019 gw | s |||| 0|eng d |
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|a 9783030122249
|9 978-3-030-12224-9
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|a 10.1007/978-3-030-12224-9
|2 doi
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|a Wood, Jennifer Linhart.
|e author.
|4 aut
|4 http://id.loc.gov/vocabulary/relators/aut
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|a Sounding Otherness in Early Modern Drama and Travel
|h [electronic resource] :
|b Uncanny Vibrations in the English Archive /
|c by Jennifer Linhart Wood.
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|a 1st ed. 2019.
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|a Cham :
|b Springer International Publishing :
|b Imprint: Palgrave Macmillan,
|c 2019.
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| 300 |
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|a XXII, 373 p. 27 illus., 10 illus. in color.
|b online resource.
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a online resource
|b cr
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|a text file
|b PDF
|2 rda
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| 490 |
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|a New Transculturalisms, 1400-1800
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|a Introduction: Soundings -- Part I: New World Symphony -- Rattling Soundscapes of Witch Drama and the New World -- Hell's Bells: Delight in Transatlantic Jinglings -- Interlude: Intercultural Remixes. Part II: Songs of the Orient -- An Organ's Metamorphosis: Thomas Dallam's Sonic Transformations in the Ottoman Empire -- "Drums Rumble Within": Embodied Experiences of Temples in the East and on the London Stage -- Interlude: A Tale of Two Toms: Dallam and Coryate Speaking in Oriental Tongues -- Part III: World Music: East Is West -- "Something Rich and Strange": Global Listening and The Tempest -- Coda: "Songs from the Wood.".
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|a Sounds are a vital dimension of transcultural encounters in the early modern period. Using the concept of the soundwave as a vibratory, uncanny, and transformative force, Jennifer Linhart Wood examines how sounds of foreign otherness are experienced and interpreted in cross-cultural interactions around the globe. Many of these same sounds are staged in the sonic laboratory of the English theater: rattles were shaken at Whitehall Palace and in Brazil; bells jingled in an English masque and in the New World; the Dallam organ resounded at Topkapı Palace in Istanbul and at King's College, Cambridge; and the drum thundered across India and throughout London theaters. This book offers a new way to conceptualize intercultural contact by arguing that sounds of otherness enmesh bodies and objects in assemblages formed by sonic events, calibrating foreign otherness with the familiar self on the same frequency of vibration.
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|a World history.
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|a Europe-History-1492-.
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|a Literature, Modern.
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|a Civilization-History.
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|a Theater-History.
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|a World History, Global and Transnational History.
|0 http://scigraph.springernature.com/things/product-market-codes/719000
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| 650 |
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|a History of Early Modern Europe.
|0 http://scigraph.springernature.com/things/product-market-codes/717030
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| 650 |
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|a Early Modern/Renaissance Literature.
|0 http://scigraph.springernature.com/things/product-market-codes/817000
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| 650 |
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|a Cultural History.
|0 http://scigraph.springernature.com/things/product-market-codes/723000
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| 650 |
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|a Theatre History.
|0 http://scigraph.springernature.com/things/product-market-codes/415010
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| 710 |
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|a SpringerLink (Online service)
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|t Springer eBooks
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| 776 |
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|i Printed edition:
|z 9783030122232
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| 776 |
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|i Printed edition:
|z 9783030122256
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|i Printed edition:
|z 9783030122263
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| 830 |
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|a New Transculturalisms, 1400-1800
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|u https://doi.org/10.1007/978-3-030-12224-9
|z Full Text via HEAL-Link
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|a ZDB-2-HTY
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| 950 |
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|a History (Springer-41172)
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