Darkness Calls A Critical Investigation of Neo-Noir /

• Κύριος συγγραφέας: Short, Sue (Συγγραφέας, http://id.loc.gov/vocabulary/relators/aut)
• Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
• Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
• Γλώσσα: English
• Έκδοση: Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2019.
• Έκδοση: 1st ed. 2019.
• Θέματα: Film genres.; Culture.; Gender.; Genre.; Culture and Gender.

 This book examines the contrasting forms neo-noir has taken on screen, asking what prompts our continued interest in tales of criminality and moral uncertainty. Neo-noir plots are both familiar and diverse, found in a host of media formats today, and now span the globe. Yet despite its apparent prevalence-and increased academic attention-many core questions remain unanswered. What has propelled noir's appeal, half a century on after its supposed decline? What has led film-makers and series-creators to rework given tropes? What debates continue to divide critics? And why are we, as viewers, so drawn to stories that often show us at our worst? Referencing a range of films and series, citing critical work in the field-while also challenging many of the assumptions made-this book sets out to advance our understanding of a subject that has fascinated audiences and academics alike. Theories relating to gender identity and neo-noir's tricky generic status are discussed, together with an evaluation of differing comic inflections and socio-political concerns, concluding that, although neo-noir is capable of being both progressive and reactionary, it also mobilises potentially radical questions about who we are and what we might be capable of. 

 1. Introduction: in pursuit of the neo-noir -- 2. Crime, corruption and social critique: a thematic overview of noir -- 3. Conflict and crisis: masculinity and noir -- 4. Fear and fantasy: women in noir -- 5. Noir by any other name?: generic confusion and diffusion -- 6. A lighter shade of noir: differing uses of comedy -- 7. Fatalism vs free will: nihilism and noir.