The Palgrave Handbook of Screen Production

• Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
• Άλλοι συγγραφείς: Batty, Craig (Επιμελητής έκδοσης, http://id.loc.gov/vocabulary/relators/edt), Berry, Marsha (Επιμελητής έκδοσης, http://id.loc.gov/vocabulary/relators/edt), Dooley, Kath (Επιμελητής έκδοσης, http://id.loc.gov/vocabulary/relators/edt), Frankham, Bettina (Επιμελητής έκδοσης, http://id.loc.gov/vocabulary/relators/edt), Kerrigan, Susan (Επιμελητής έκδοσης, http://id.loc.gov/vocabulary/relators/edt)
• Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
• Γλώσσα: English
• Έκδοση: Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2019.
• Έκδοση: 1st ed. 2019.
• Θέματα: Motion pictures > Production and direction.; Motion picture authorship.; Motion pictures.; Film and TV Production.; Screenwriting.; Film/TV Industry.

This handbook is an essential creative, critical and practical guide for students and educators of screen production internationally. It covers all aspects of screen production-from conceptualizing ideas and developing them, to realizing and then distributing them-across all forms and formats, inclu...

Πίνακας περιεχομένων:

• Part 1: Conceptualising the screen work: ideas, intentions, contexts
• Chapter 1 Creative filmmaking processes, procedures and practices: Embodied and internalised filmmaking agency
• Chapter 2 Commission, position and production: Intent and intervention in minority language programmes
• Chapter 3 Having something to say and saying it well
• Chapter 4 Understanding the underlying principles of the short film
• Chapter 5 Two screenplays, one writer, national voice
• Chapter 6 Off screen: Re-imagining animation
• Chapter 7 The Dr Egg Adventures: Incorporating user-generated content and user-testing strategies in pre-production conceptualization and development of a multi-platform storyworld
• Chapter 8 Taking place, screening place: Studying locations in television drama production
• Chapter 9 Wayfaring, co-presence and mobility: Conceptualising and re-conceptualising with smartphones
• Part 2: Developing the screen work: collaboration, imagination, distillation
• Chapter 10 Writing bodies: developing and scripting an embodied feature film screenplay
• Chapter 11 Putting theory into practice: Structuring the personal essay documentary, The Silences
• Chapter 12 Work-in-progress: The Writing of Shortchanged
• Chapter 13 Developing Baxter and Me: Maintaining authorial voice against industry pressures
• Chapter 14 Writers, producers and creative entrepreneurship in web series development
• Chapter 15 Local content producers: Co-creating communal stories and community in the Big Stories, Small Towns participatory documentary project
• Part 3: Realising the screen work: practice, process, pragmatism
• Chapter 16 Creative Practice: A Love Story
• Chapter 17 Creating and designing the contemporary soundtrack: A case study
• Chapter 18 The (braided) documentary voice: theorising the complexities of documentary making
• Chapter 19 Editing the observed: Evaluation and value creation processes in the editing of a feature documentary film
• Chapter 20 The beginning of a beautiful relationship: A case study exploration of collaborative creative practice
• Chapter 21 "Make it in post": Digital visual effects and the temporality of creative value in post-production
• Chapter 22 Trapped: A case study of international co-production
• Chapter 23 Production practices in the filming of German scripted reality shows
• Chapter 24 Embracing the TV commercial: Charms and challenges of selling on screen
• Part 4: Exhibiting the screen work: places, spaces, ecologies
• Chapter 25 Producing the other in international film festivals: Festival fund, address and the making of authenticity in Gabriel Mascaro's Neon Bull
• Chapter 26 The Live Cinema paradox: Continuity and innovation in live film broadcast, exhibition, and production
• Chapter 27 Digital disruption and innovation in distribution: Opportunities for research-based filmmaking in the new global screen ecology
• Chapter 28 Dispositifs at play: Artists' moving image in the gallery
• Chapter 29 Mobile reception: Materiality and locality with small screens
• Chapter 30 Appeasing the trolls: Contextualising new screen practices with smartphones
• Part 5: Teaching the screen work: pedagogies, practices, approaches
• Chapter 31 There is no 'e' in 'constraints': Teaching creativity in Higher Education screen production
• Chapter 32 "Is this degree practical or theoretical?" Screen and media education, studio-based teaching and signature pedagogies
• Chapter 33 Teaching screen arts in Australia: Challenges, opportunities and current trends
• Chapter 34 VR and screen education: An approach to assist student understanding of narrative emphasis, spatiality and structural elements within narrative VR
• Chapter 35 Teaching screenwriting through script development: Looking beyond the screenplay.