The Films of Arturo Ripstein The Sinister Gaze of the World /

• Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
• Άλλοι συγγραφείς: Gutiérrez Silva, Manuel (Επιμελητής έκδοσης, http://id.loc.gov/vocabulary/relators/edt), Duno Gottberg, Luis (Επιμελητής έκδοσης, http://id.loc.gov/vocabulary/relators/edt)
• Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
• Γλώσσα: English
• Έκδοση: Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2019.
• Έκδοση: 1st ed. 2019.
• Θέματα: Motion pictures, American.; Ethnology-Latin America.; Motion pictures-Production and direction.; Latin America-Politics and government.; Communication.; Latin American Cinema and TV.; Latin American Culture.; Directing.; Latin American Politics.; Media and Communication.

This book gathers eleven scholarly contributions dedicated to the work of Mexican director Arturo Ripstein. The collection, the first of its kind, constitutes a sustained critical engagement with the twenty-nine films made by this highly acclaimed yet under-studied filmmaker. The eleven essays inclu...

Πίνακας περιεχομένων:

• 1. Introduction; Manuel Gutiérrez Silva
• Part I. Slicing the Nationalist Gaze: Arturo Ripstein in the History of Mexican Cinema
• 2. Fifty Years in Film 1: Ripstein's early years and his place in Mexican cinema; Luis Duno-Gottberg and Manuel Gutiérrez Silva
• 3. Anachronism and Dislocation: Tiempo de morir (1965) Between the Nuevo Cine Mexicano and the Global Western; Rielle Navitski
• 4. El castillo de la pureza (1972): A National Allegory about the Perils of Closed Markets; Christina L. Sisk
• 5. Marranismo, Allegory, and the Unsayable in Arturo Ripstein's El Santo Oficio (1974); Erin Graff Zivin
• 6. Becoming "Arturo Ripstein"? On Collaboration and the "Author Function" in The Transnational Film Adaptation of El lugar sin límites (1978); Catherine Grant
• Part II. The Sinister Gaze: Pathos, Abjection, and Blood
• 7. Fifty Years in Film 2. Accomplices: Arturo Ripstein and Paz Alicia Garciadiego, An Interview; Luis Duno Gottberg and Manuel Gutiérrez Silva
• 8. Deconstructing the Divas: Music in Arturo Ripstein's El lugar sin límites (1978) and La reina de la noche (1994); Catherine Leen
• 9. Mexican Abjection: Lucha Reyes and the Politics of Suffering in La reina de la noche (1994); Sergio de la Mora
• 10. Profundo carmesí (1996): Blood Weddings in Contemporary Mexico; Javier Guerrero
• Part III. Undoing the Melodramatic Gaze
• 11. Fifty Years in Film 3: The Melodrama and Filmmaking in the Twenty-First Century, An Interview; Luis Duno Gottberg and Manuel Gutiérrez Silva
• 12. Arturo Ripstein: The Film Auteur in the Age of Neoliberal Production; Ignacio Sánchez Prado
• 13. La perdición de los hombres (200): Beyond Melodrama and its Variations; Niamh Thornton
• 14. Mothers, Maidens and Machos: Demolishing the Myths of Mexican Melodrama in Principio y fin (1996); Caryn Connelly
• 15. From La Manuela to La Princesa de Jade: Visual Spectacle and the Repetition Compulsion; Claudia Schaefer.