Performance and the Disney Theme Park Experience The Tourist as Actor /
This collection of essays explores the Disney theme parks as performance spaces-as immersive theatre spaces-and examines the agency of the tourist within those spaces. In contrast to much previous Disney scholarship, Performance and the Disney Theme Park Experience asserts that park guests collabora...
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| Other Authors: | , |
| Format: | Electronic eBook |
| Language: | English |
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Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2019.
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| Edition: | 1st ed. 2019. |
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| Online Access: | Full Text via HEAL-Link |
Table of Contents:
- 1. "Introduction" Co-Authored by Jennifer A. Kokai and Tom Robson Time, Tomorrowland, and Fantasy
- 2. "The Future Is Truly in the Past: The Regressive Nostalgia of Tomorrowland" by Tom Robson
- 3. "What's Missing in FrontierLand?: American Indian Culture and Indexical Absence at Walt Disney World" by Victoria Lantz
- 4. "Staging Medieval Fantasy Through Tourism" by Christina Gutierrez-Dennehey Environments as Ideologies
- 5. "The Nemofication of Nature: Animals, Artificiality, and Affect at Disney World" by Jennifer A. Kokai
- 6. "Chinese Lions and Asian Beauties on Broadway Boulevard: Establishing a Satellite Broadway at Shanghai Disney" by Laura MacDonald
- 7. "Disney-fying Dixie: Queering the Laughing Place at Splash Mountain" by Chase Bringardner Liveness and AudioAnimation
- 8. "Dream Away: Disney's Robot Dramas Revisited" by Li Cornfeld
- 9. "The Search for a Great, Big, Beautiful Tomorrow: Performing 'Utopia' with Non-Human Bodies in the Hall of Presidents" by Joseph D'Ambrosi
- 10. "The Royal Theatre Presents: Echoes of Melodrama and Minstrelsy" by Patrice Amon This Counter Identities
- 11. "Gated Amusement Parks, Disneyland, and the Codification of Colorblind Racism in the American Amusement Industry" by Jill Morris
- 12. "Club Villain: Transgression and Empowerment of Disney Villain Culture in the Happiest Place on Earth" by Christen Mandracchia
- 13. "The Park as Stage: Radical Consumer Performance" by Elizabeth Schiffler "Afterword" by Susan Bennett.