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03377nam a2200457 4500 |
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978-3-030-30615-1 |
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DE-He213 |
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20191220125844.0 |
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cr nn 008mamaa |
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191114s2019 gw | s |||| 0|eng d |
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|a 9783030306151
|9 978-3-030-30615-1
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|a 10.1007/978-3-030-30615-1
|2 doi
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|a 791.4
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|a Tavassoli Zea, Zahra.
|e author.
|4 aut
|4 http://id.loc.gov/vocabulary/relators/aut
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|a Balzac Reframed
|h [electronic resource] :
|b The Classical and Modern Faces of Éric Rohmer and Jacques Rivette /
|c by Zahra Tavassoli Zea.
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| 250 |
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|a 1st ed. 2019.
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| 264 |
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1 |
|a Cham :
|b Springer International Publishing :
|b Imprint: Palgrave Macmillan,
|c 2019.
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| 300 |
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|a XI, 230 p. 1 illus.
|b online resource.
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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| 347 |
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|a text file
|b PDF
|2 rda
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| 490 |
1 |
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|a Palgrave Studies in Adaptation and Visual Culture
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|a 1. Introduction: Balzac and the Nouvelle Vague -- 2. Rohmer: Reader and Imitator of Balzac -- 3. Poetry and Reality of the Historical Image -- 4. Balzac and Rivette: Continuity and Deflection -- 5. Modern Mythographer -- 6. Conclusion: Balzac's Multifaceted Legacy.
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|a This book examines the theoretical affiliations between the most notable proponent of literary realism, Honoré de Balzac, and two understated but key representatives of the French New Wave, Éric Rohmer and Jacques Rivette. It argues that their film criticism, which gradually led to the establishment of a common aesthetic vision of cinema (the "politique des auteurs"), owes more to Balzac and the nineteenth-century novel than to any intellectual trend of the immediate post-war period. By considering the films of Rohmer and Rivette as an extension of their writings (essays, film reviews, scriptwriting, novels and interviews), this volume analyses the changing and sometimes opposed ways in which they applied Balzacian principles and themes to their cinematic practice. Essentially, it understands the exchange between art forms, past traditions and contemporaneous currents as the overlooked yet common thread that links these three authors, through their own re-appropriations of classical and romantic aesthetics in their explorations of modern French society. In doing so, this study provides further nuance to the "conservative" versus "progressist" rupture that is generally assumed between the two directors, and offers an innovative reading of The Human Comedy in the light of post-war ideas on authorship, film adaptation, classicism and modernism.
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| 650 |
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|a Motion pictures.
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| 650 |
1 |
4 |
|a Adaptation Studies.
|0 http://scigraph.springernature.com/things/product-market-codes/413180
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|a SpringerLink (Online service)
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|t Springer eBooks
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|i Printed edition:
|z 9783030306144
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| 776 |
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|i Printed edition:
|z 9783030306168
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| 776 |
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8 |
|i Printed edition:
|z 9783030306175
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| 830 |
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|a Palgrave Studies in Adaptation and Visual Culture
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| 856 |
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|u https://doi.org/10.1007/978-3-030-30615-1
|z Full Text via HEAL-Link
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| 912 |
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|a ZDB-2-LCM
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| 950 |
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|a Literature, Cultural and Media Studies (Springer-41173)
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