The Structure of Paintings

Michael Leyton has developed new foundations for geometry in which shape is equivalent to memory storage. A principal argument of these foundations is that artworks are maximal memory stores. The theory of geometry is developed from Leyton's fundamental laws of memory storage, and this book sho...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: Leyton, Michael (Συγγραφέας)
Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
Γλώσσα:English
Έκδοση: Vienna : Springer Vienna, 2006.
Θέματα:
Διαθέσιμο Online:Full Text via HEAL-Link
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100 1 |a Leyton, Michael.  |e author. 
245 1 4 |a The Structure of Paintings  |h [electronic resource] /  |c by Michael Leyton. 
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300 |a VI, 237 p. With numerous illus., partly in color.  |b online resource. 
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505 0 |a Shape as Memory Storage -- Expressiveness of Line -- The Evolution Laws -- Smoothness-Breaking. 
520 |a Michael Leyton has developed new foundations for geometry in which shape is equivalent to memory storage. A principal argument of these foundations is that artworks are maximal memory stores. The theory of geometry is developed from Leyton's fundamental laws of memory storage, and this book shows that these laws determine the structure of paintings. Furthermore, the book demonstrates that the emotion expressed by a painting is actually the memory extracted by the laws. Therefore, the laws of memory storage allow the systematic and rigorous mapping not only of the compositional structure of a painting, but also of its emotional expression. The argument is supported by detailed analyses of paintings by Picasso, Raphael, Cezanne, Gauguin, Modigliani, Ingres, De Kooning, Memling, Balthus and Holbein. 
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650 2 4 |a Pattern Recognition. 
650 2 4 |a Image Processing and Computer Vision. 
650 2 4 |a Computer Appl. in Arts and Humanities. 
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