Sounds, Societies, Significations Numanistic Approaches to Music /

• Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
• Άλλοι συγγραφείς: Povilionienė, Rima (Επιμελητής έκδοσης)
• Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
• Γλώσσα: English
• Έκδοση: Cham : Springer International Publishing : Imprint: Springer, 2017.
• Σειρά: Numanities - Arts and Humanities in Progress, 2
• Θέματα: Education.; Music.; Cultural heritage.; Semiotics.; Creativity and Arts Education.; Cultural Heritage.

This edited book covers many topics in musicological literature, gathering various approaches to music studies that encapsulate the vivid relation music has to society. It focusses on repertoires and geographical areas that have not previously been well frequented in musicology. As readers will see,...

Πίνακας περιεχομένων:

• Part I. Theoretical Reflections
• Chapter 1. Musical Signification: A Systematic, Analytical and Pedagogical Approach (Joan Grimalt)
• Chapter 2. Popular Music, Politics, Ideologies: A Numanistic Model (Dario Martinelli)
• Chapter 3. Music and Associations: Cultural Impact on Musical Perception (Ulrika Varankaitė)
• Chapter 4. Costin Miereanu and the Musical Labyrinth. Looking Through Converging Lenses (Oana Andreica)
• Part II. Interfacing Musics and Societies
• Chapter 5. Musitecture: Musical Space, Spatial Music. Sonorous Thresholds in Time-Space Intersections (Gerard Guerra López)
• Chapter 6. Musical Narrative in Representing "Hiroshima". A Case Study of Erkki Aaltonen's Second Symphony "Hiroshima" (1949) (Yumi Notohara)
• Chapter 7. The Manifestation of Musical Criticism in the Lithuanian Press in the First Years of WWI (Rima Povilionienė)
• Chapter 8. “Where‟s the Orchestra?”: The Sanremo Festival through the 1980s and the 1980s through the Sanremo Festival (Jacopo Conti)
• Chapter 9. The Years of 883: Italian Pop at the Time of Commercial Broadcasting (Jacopo Tomatis)
• Chapter 10. Political and Ethical Values of the Music of Manowar (Paolo Ribaldini)
• Part III. Case Study: Polish Contemporary Music
• Chapter 11. “Via Crucis” and “Resurrectio” by PawełŁukaszewski (Renata Borowiecka)
• Chapter 12. Theme of Death in the Music of Pawel Lukaszewski (Renata Borowiecka)
• Chapter 13. Stanisław Moniuszko‟sOEuvre as a Builder of National Identity During Partition Times (Magdalena Chrenkoff)
• Chapter 14. The Diversity of Artistic Work as a Response to the Needs of Contemporary Culture: On Adam Walaciński's Oeuvre (Ewa Czachorowska-Zygor)
• Chapter 15. “Thakurian Chants” for Mixed Choir and Orchestra, by Marek Stachowski (Agnieszka Draus)
• Chapter 16. New Romanticism in Polish Music: Generation 51 – Knapik, Krzanowski, Lasoń (Kinga Kiwała)
• Chapter 17. Religious Motifs and Existential Reflection in Zbigniew Bujarski‟s Chamber Music (Ewa Wójtowicz)
• Chapter 18. The Phenomenon of String Quartet in the Work of Krakow Composers from 1960s (Ewa Wojtowicz).