Creative Selves / Creative Cultures Critical Autoethnography, Performance, and Pedagogy /

• Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
• Άλλοι συγγραφείς: Holman Jones, Stacy (Επιμελητής έκδοσης, http://id.loc.gov/vocabulary/relators/edt), Pruyn, Marc (Επιμελητής έκδοσης, http://id.loc.gov/vocabulary/relators/edt)
• Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
• Γλώσσα: English
• Έκδοση: Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2018.
• Έκδοση: 1st ed. 2018.
• Σειρά: Creativity, Education and the Arts
• Θέματα: Art education.; Learning.; Instruction.; Teaching.; Performing arts.; Creativity and Arts Education.; Learning & Instruction.; Teaching and Teacher Education.; Performing Arts.

This book addresses and demonstrates the importance of critical approaches to autoethnography, particularly the commitment that such approaches make to theorizing the personal and to creating work that embodies a social justice ethos. Arts-based and practice-led approaches to this work allow the exp...

Πίνακας περιεχομένων:

• PART I: Researching and Writing Creative Selves/Creative Cultures
• Chapter 1. Creative Selves/Creative Cultures: Critical Autoethnography, Performance and Pedagogy; Stacy Holman Jones
• Chapter 2. Troubling Autoethnography: Critical, Creative, and Deconstructive: Approaches to Writing; Susanne Gannon
• Chapter 3. Performing Teaching, Citizenship and Criticality; Marc Pruyn, Lisa Cary & Luis Huerta-Charles
• PART II: Mapping and Remembering Creative Selves/Creative Cultures
• Chapter 4. Six Sirens and a Broken Oud: Mapping the Self Within the Political Landscape; Stefan Schut
• Chapter 5. Writing Sensation: Critical Autoethnography in Posthumanism; Summer Dickenson
• Chapter 6. Mind and Matter: (Re)membering, Performing, and Being; Juliana Kirschner
• PART III: Embodying Creative Selves/Creative Cultures
• Chapter 7. Mother-Poems: Using the Confessional as Critique in Autoethnographic Poetry; Sandra L. Faulkner
• Chapter 8. I Am a Monument; Anne Harris & Stacy Holman Jones
• Chapter 9. The Last Days of Education? An Attempt to Reclaim Teaching Through Socratic Dialogue; Craig Wood
• PART IV: Rehearsing and Transforming Creative Selves/Creative Cultures
• Chapter 10. Inside our Islands: Confronting the Colonized Muse in the Decolonizing Performance Space; Linden Wilkenson
• Chapter 11. Shrug off the Old Lies: Writing Critical Autoethnography as Decolonality with Helene Cixous; Elizabeth Mackinlay
• Chapter 12. Transformer: More Than Meets the I/Eye; Fetaui Iosefo
• PART V: Tracing, Playing , and Improvising Creative Selves/Creative Cultures
• Chapter 13. Got Lost: Embodied Vocal Performance at the Junction of Autoethnography and Practice-Based Research; Jessica Aszodi
• Chapter 14. Creating Memories: A Cartography of Musical Learning; Phoebe Green
• Chapter 15. Critical Autoethnography Musical Improvisation: Reflections, Conjuctions, and 21st Century Dimensions; Leon de Bruin
• Chapter 16. Creative Selves, Creative Cultures, Creative Futures; Stacy Holman Jones.