Screen Production Research Creative Practice as a Mode of Enquiry /
Aimed at students and educators across all levels of Higher Education, this agenda-setting book defines what screen production research is and looks like-and by doing so celebrates creative practice as an important pursuit in the contemporary academic landscape. Drawing on the work of international...
Συγγραφή απο Οργανισμό/Αρχή: | |
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Άλλοι συγγραφείς: | , |
Μορφή: | Ηλεκτρονική πηγή Ηλ. βιβλίο |
Γλώσσα: | English |
Έκδοση: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2018.
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Έκδοση: | 1st ed. 2018. |
Θέματα: | |
Διαθέσιμο Online: | Full Text via HEAL-Link |
Πίνακας περιεχομένων:
- 1. Introduction
- 2. A 'Logical' Explanation of Screen Production as Method-Led Research - Susan Kerrigan
- 3. Lights, Camera, Research: The Specificity of Research in Screen Production - Leo Berkeley
- 4. The Primacy of Practice: Establishing the Terms of Reference of Creative Arts and Media Research - Desmond Bell
- 5. Screenwriting as a Mode of Research, and the Screenplay as a Research Artefact - Craig Batty and Dallas J Baker
- 6. Using Practitioner Based Enquiry (PBE) to Examine Screen Production as a Form of Creative Practice - Phillip McIntyre
- 7. Ethnography and Screen Production Research - Marsha Berry
- 8. Method in Madness: a Case Study in Practice Research Methods - Erik Knudsen
- 9. Cinematography: Practice as Research, Research into Practice - Cathy Greenhalgh
- 10. Practices of Making as Forms of Knowledge: Creative Practice Research as a Mode of Documentary-making in Northeast India - Aparna Sharma
- 11. Fragments, Form and Photogénie: Using Practice to Research the Intersectional Work of Poetic Documentary - Bettina Frankham
- 12. Peter Kennedy's The Photographs' Story: the Dialectical Image as Research - John Hughes
- 13. The Naïve Researcher, Resisting Methodology: a PhD Experience - Smiljana Glisovic
- 14. Afterword: Tacit Knowledge and Affect - Soft Ethnography and Shared Domains Belinda Middleweek and John Tulloch. .