Post-Unification Turkish German Cinema Work, Globalisation and Politics Beyond Representation /

• Κύριος συγγραφέας: Naiboglu, Gozde (Συγγραφέας, http://id.loc.gov/vocabulary/relators/aut)
• Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
• Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
• Γλώσσα: English
• Έκδοση: Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2018.
• Έκδοση: 1st ed. 2018.
• Θέματα: Motion pictures and television.; Ethnology-Europe.; Emigration and immigration.; Europe, Central-History.; World politics.; Germany-Politics and government.; Screen Studies.; European Culture.; Migration.; History of Germany and Central Europe.; Political History.; German Politics.

This book examines post-Unification Turkish German cinema with a focus on ethics, affectivity and labour. Shifting the focus from the longstanding concerns of integration, identity and cultural conflict, the author argues that these films no longer emphasise the conflicts between migrants and citize...

Πίνακας περιεχομένων:

• 1.0 Introduction
• 2.0 Part I: The Berlin School
• 2.1 Thomas Arslan's Berlin Trilogy
• 2.2 Christian Petzold's Jerichow (2009)
• 3.0 Part II:  Documentary Film
• 3.1 Documentary and the Question of Representation
• 3.2 Materiality of Labour: Thomas Arslan's Aus der Ferne/From Far Away (2006) and Seyhan Derin's Ben Annemin Kızıyım/I Am My Mother's Daughter (1996)
• 3.3 Post-Representationalism as a political strategy: Aysun Bademsoy's Am Rand der Städte/On the Outskirts (2006) and Ehre/Honour (2011)
• 3.4 Machinic Semiotics: Harun Farocki's Aufstellung/In-formation (2005)
• 4.0 Part III: Social Realism
• 4.1 Viewing against the grain: Feo Aladag's Die Fremde/When We Leave (2010)
• 4.2 Queering the Ethics of Migration: Yüksel Yavuz's Kleine Freiheit/A Little Bit of Freedom (2003)
• 5.0 Conclusion.     .