Law and Opera

• Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
• Άλλοι συγγραφείς: Annunziata, Filippo (Επιμελητής έκδοσης, http://id.loc.gov/vocabulary/relators/edt), Colombo, Giorgio Fabio (Επιμελητής έκδοσης, http://id.loc.gov/vocabulary/relators/edt)
• Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
• Γλώσσα: English
• Έκδοση: Cham : Springer International Publishing : Imprint: Springer, 2018.
• Έκδοση: 1st ed. 2018.
• Θέματα: Law-Philosophy.; Law.; Music.; Private international law.; Conflict of laws.; Performing arts.; Theories of Law, Philosophy of Law, Legal History.; Private International Law, International & Foreign Law, Comparative Law .; Performing Arts.

This book explores the various connections between Law and Opera, providing a comprehensive, multinational, and multidisciplinary (with approaches from jurists, philosophers, musicologist, historians) resource on the subject. Further, it makes a valuable contribution to studies on law and the humani...

Πίνακας περιεχομένων:

• Introduction by Filippo Annunziata and Giorgio Fabio Colombo
• Part I - Law in Opera: Scalia/Ginsburg: the Rhythm of the US Federal Supreme Court by Francesca Benatti
• Exile and Identity: Findings of Fact and Opinions of Law in Bellini's La Straniera by Louis Bertone
• Fiat iustitia et pereat mundus. The Tragic Conflicts of the Judge in I due Foscari by Angelo Pio Buffo
• "That may be Japanese law...but not in my country!". Marriage, Divorce and Private International Law in Giacomo Puccini's Madama Butterfly by Giorgio Fabio Colombo, Masabumi Suzuki and Dai Yokomizo
• Crime, Prosecution and Justice in Verdi's Otello by Paolo Di Felice and Alessandro Accinni
• Le Nozze di Figaro and the Sunset of Ancien Régime Legacy on Modern Legal Culture by Elena Faletti
• Recurring Legal Issues in Italian Opera by Silvia Ferreri
• Le nozze di Wolfgang: About the Meaning of Marriage in Mozart's Operas by Cesare Fertonani
• The Depiction of Crimes in Puccini's Works by Pietro Gandetto
• The "Gesualdo Case" in Contemporary Melodrama by Giovanni Iudica
• Law and Fate in Norma, I Puritani, Aida and Tosca by Przemysław Krzywoszyński and Jan Woleński
• Equality and Social Complexity. A Comparison between Idomeneo Re di Creta and Le Nozze di Figaro by Mariano Longo
• Revenge between Legal and Social Norms in Cavalleria Rusticana by Giuseppe Lorini
• Paternal Justice in Giuseppe Verdi's Operas by Mario Antonio Riberi
• Giacomo Puccini's Gianni Schicchi. Harmony in the System by Maria Teresa Sanza
• Part II - Law on Opera: The Voice of the Opera Singer and its Protection: Another Look at the Maria Callas Case by Julia Ammermann Yebra
• Critical Edition of an Opera: a New Look for an Old Lady? The Boundaries of Copyright Protection in the EU Countries by Giovanna Carugno
• A Little-known Source for the Public at the Paris Opéra: the Baux des Loges by Mark Darlow
• What is Allowed in the Opera? - Law as the Boundary of Artistic Experiment by Ewa Łętowska and Krzysztof Pawłowski
• The Italian Scrittura Teatrale: a Peculiar Case of Unwritten Terms Integrating Contracts by Geo Magri
• Der Ring des Nibelungen - From a Criminal Law Perspective by Peter Lewisch
• Part III - Law around Opera: Law, Opera and the Baroque Mentality: Contradictions, Paradoxes and Dialogues by Mariana Lima Maia and Marcilio Toscano Franca Filho
• Schiller's "An die Freude", Beethoven's Ninth and the Struggle over Europe's Identity by Giorgio Resta
• The Current International and Music Society by Gustavo Troccoli Carvalho de Negreiros
• Nemorino's Plagiarims. Author Copyright, Musical Theatre, and Circulation of Texts in the Siglo de Oro of Italian Opera by Filippo Annunziata.