Theatre and Music in Manila and the Asia Pacific, 1869-1946 Sounding Modernities /

This book examines the intersection between sound and modernity in dramatic and musical performance in Manila and the Asia-Pacific between 1869 and 1948. During this period, tolerant political regimes resulted in the globalization of capitalist relations and the improvement of transcontinental trave...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: yamomo, meLê (Συγγραφέας, http://id.loc.gov/vocabulary/relators/aut)
Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
Γλώσσα:English
Έκδοση: Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2018.
Έκδοση:1st ed. 2018.
Σειρά:Transnational Theatre Histories
Θέματα:
Διαθέσιμο Online:Full Text via HEAL-Link
LEADER 03061nam a2200481 4500
001 978-3-319-69176-3
003 DE-He213
005 20191025152229.0
007 cr nn 008mamaa
008 180720s2018 gw | s |||| 0|eng d
020 |a 9783319691763  |9 978-3-319-69176-3 
024 7 |a 10.1007/978-3-319-69176-3  |2 doi 
040 |d GrThAP 
050 4 |a PN2100-2193 
072 7 |a AN  |2 bicssc 
072 7 |a PER011020  |2 bisacsh 
072 7 |a ATD  |2 thema 
082 0 4 |a 792.09  |2 23 
100 1 |a yamomo, meLê.  |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Theatre and Music in Manila and the Asia Pacific, 1869-1946  |h [electronic resource] :  |b Sounding Modernities /  |c by meLê yamomo. 
250 |a 1st ed. 2018. 
264 1 |a Cham :  |b Springer International Publishing :  |b Imprint: Palgrave Macmillan,  |c 2018. 
300 |a XIV, 267 p. 9 illus.  |b online resource. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |b PDF  |2 rda 
490 1 |a Transnational Theatre Histories 
520 |a This book examines the intersection between sound and modernity in dramatic and musical performance in Manila and the Asia-Pacific between 1869 and 1948. During this period, tolerant political regimes resulted in the globalization of capitalist relations and the improvement of transcontinental travel and worldwide communication. This allowed modern modes of theatre and music consumption to instigate the uniformization of cultural products and processes, while simultaneously fragmenting societies into distinct identities, institutions, and nascent nation-states. Taking the performing bodies of migrant musicians as the locus of sound, this book argues that the global movement of acoustic modernities was replicated and diversified through its multiple subjectivities within empire, nation, and individual agencies. It traces the arrival of European travelling music and theatre companies in Asia which re-casted listening into an act of modern cultural consumption, and follows the migration of Manila musicians as they engaged in the modernization project of the neighboring Asian cities. 
650 0 |a Theater-History. 
650 0 |a Theater. 
650 1 4 |a Theatre History.  |0 http://scigraph.springernature.com/things/product-market-codes/415010 
650 2 4 |a National/Regional Theatre and Performance.  |0 http://scigraph.springernature.com/things/product-market-codes/415080 
650 2 4 |a Global/International Theatre and Performance.  |0 http://scigraph.springernature.com/things/product-market-codes/415070 
710 2 |a SpringerLink (Online service) 
773 0 |t Springer eBooks 
776 0 8 |i Printed edition:  |z 9783319691756 
776 0 8 |i Printed edition:  |z 9783319691770 
776 0 8 |i Printed edition:  |z 9783030098766 
830 0 |a Transnational Theatre Histories 
856 4 0 |u https://doi.org/10.1007/978-3-319-69176-3  |z Full Text via HEAL-Link 
912 |a ZDB-2-LCM 
950 |a Literature, Cultural and Media Studies (Springer-41173)