Handbook of State Aid for Film Finance, Industries and Regulation /

• Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
• Άλλοι συγγραφείς: Murschetz, Paul Clemens (Επιμελητής έκδοσης, http://id.loc.gov/vocabulary/relators/edt), Teichmann, Roland (Επιμελητής έκδοσης, http://id.loc.gov/vocabulary/relators/edt), Karmasin, Matthias (Επιμελητής έκδοσης, http://id.loc.gov/vocabulary/relators/edt)
• Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
• Γλώσσα: English
• Έκδοση: Cham : Springer International Publishing : Imprint: Springer, 2018.
• Έκδοση: 1st ed. 2018.
• Σειρά: Media Business and Innovation,
• Θέματα: Industrial management.; Public finance.; International business enterprises.; Communication.; Sociology.; Industrial organization.; Management.; Media Management.; Public Economics.; International Business.; Media Research.; Industrial Organization.; Innovation/Technology Management.

This book is an analysis of the specificities of public film funding on an international scale. It shows how public funding schemes add value to film-making and other audio-visual productions and provides a comprehensive analysis of today's global challenges in the film industry such as industr...

Πίνακας περιεχομένων:

• Chapter 1: Why Study State Aid for Film? A First Clarification
• Chapter 2: Introducing the Book's Topics
• Part I: Exploring Scholarly Themes
• Chapter 3: The Economics of Film Financing: An Introduction
• Chapter 4: Private Equity Finance: The Role of Private Investors in the European Film Market
• Chapter 5: Film Governance in the EU: Caught in a Loop?
• Chapter 6: Governance, Public Interest, and Public Film Funding: Discussing a new Theoretical Framework
• Chapter 7: State Subsidies to Film and their Effects at the Box Office: Theorizing and Measuring Why Some Genres do Better than Others
• Chapter 8: How Film Financing Shapes Project Strategy: Applying Organizational Economics to a Case Study in Norway
• Chapter 9: How Hollywood Applies Industrial Strategies to Counter Market Uncertainty: The Issues of Financing and Exhibition
• Part II: AnalysingCurrent Practices
• Chapter 10: Public Funding for Film and other Audio-visual Works in Europe: Key Industry Statistics 2010 - 2014
• Chapter 11: The European Commission's Approach to Film Funding: Striking a Difficult Balance
• Chapter 12: Supporting Film Distribution across Europe: Why is Overcoming National Barriers so Difficult?
• Chapter 13: Film Funding Law in the European Union: Discussing the Rationale and Reviewing the Practice
• chapter 14: Public Film Funding in Australia: Recent History and Empirical Analysis
• Chapter 15: Exploring the Ecosystem and Principles of Austria's Film Subsidy Schemes: Is Austria A "Best-Practice" Model for a Successful Film Policy?
• Chapter 16: Film Subsidies, History and the "Economization of Culture" in Austria: An Expert Interview
• Chapter 17: Public Film Funding under a "Federalist Policy Paradigm": A Synoptic Analysis of State Aid for Film in Germany
• Chapter 18: France's Protected and Subsidized Film Industry: Is the Subsidy Scheme living up to its Promises?
• Chapter 19: Government Failure: The Ineffectiveness of Italian State Subsidies to Film
• Chapter 20: Evaluating the Effects of Protectionism on the Film Industry: A Case Study Analysis of Korea
• Chapter 21: Diversifying Public Film Funding Policies across Regions: The Case of Latin America
• chapter 22 Feature Film Funding between National and International Priorities: How does New Zealand Bridge the Gap?
• Chapter 23: Regulating the Mandatory Participation of TV Networks in Financing the Movie Industry: The Case of Spain
• Chapter 24: Public Film Policy and the Rise of Economic Principles: The Case of Switzerland
• Chapter 25: Film Funding in the United Kingdom: The "Corporate Welfare System" and its Discontents
• Chapter 26: Beyond the "Studio System": Public Support for Films in the United States
• Chapter 27: Evidencing the Economics of Film Festival Funding: Do Government Subsidies Help?
• Part III - Predicting Future Directions
• Chapter 28: Where are the Women Directors? Gender Equality for Directors in the European Film Industry
• Chapter 29: "Avant-Garde Film" Goes Digital Video: How does the United States Fund Digital Video Art and Experimental Filmmaking?
• Chapter 30: Movie Analytics and the Future of Film Finance: Are Oscars and Box Office Revenue Predictable?
• Chapter 31: An Irish Film Industry or a Film Industry in Ireland? The Paradoxes of Film Tax Incentives
• Chapter 32: Tax Incentive Schemes for Film Production: A Pivotal Tool of Film Policy?
• Chapter 33: Film Financing in the Era of "Connected TV": How do "Legacy" Broadcasters Respond to Market Changes?
• Chapter 34: Crowd-funding Movies: A Business Model Analysis from Strategic Management Studies.