Semiotics of Animals in Culture Zoosemiotics 2.0 /
To place animals within the realm of nature, means inserting them among the articulations of culture and the social. Semiotics has never avoided this chiasmus, choosing to deal from the outset with the problem of the languages of animals following the old admonition of Montaigne: it is not that anim...
| Συγγραφή απο Οργανισμό/Αρχή: | |
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| Άλλοι συγγραφείς: | , |
| Μορφή: | Ηλεκτρονική πηγή Ηλ. βιβλίο |
| Γλώσσα: | English |
| Έκδοση: |
Cham :
Springer International Publishing : Imprint: Springer,
2018.
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| Έκδοση: | 1st ed. 2018. |
| Σειρά: | Biosemiotics,
17 |
| Θέματα: | |
| Διαθέσιμο Online: | Full Text via HEAL-Link |
Πίνακας περιεχομένων:
- Introduction: Towards Zoosemiotica 2.0
- Part1: Animal as Food, Food for Animals. Chapter1. When To Eat Meat? Towards A Diet Of Caring
- Chapter2. Anti-Speciesist Rhetoric
- Chapter3. Aesthetics of Nutrition, Ethics of Animality: the Packaging of Vegan and Vegetarian Products in the Italian Organised Distribution Market
- Chapter4. Forms of Animality: The Dog
- Chapter5.Pet Food Communication: Notes on the Crisis of Naturalism
- Chapter6. Cat Cafés and Dog Restaurants
- Chapter7. The Birth of a Pet? The Rabbit
- Part 2: Animals in the Texts, Texts as Animals. Chapter8. Bestiality: Animal Cultures
- Chapter9. On the Logic of Animal Umwelten: The Animal Subjective Present, or Zoosemiotics of Choice and Learning
- Chapter10 Of Men, Dogs and Bears. Communication in the Wilderness
- Chapter11. The Mixted Category Human-Animal in New Anthropology and in the Arts
- chapter12. The "Morally Abandoned Child" and the "Inner Savage"
- Chapter13. Frank and Johnny and Evie. Ontological shifts in a J.R. Ackerley novel
- Chapter14. The human-animal relationship and the musical metaphor in The Great Animal Orchestra by Bernie Krause. .
