Terrence Malick's Unseeing Cinema Memory, Time and Audibility /

This unique study opens up a new dimension of Terrence Malick's cinema - its expressions of unseeing and hearing. 'Unseeing' is Malick's means of transcending the moment in order to enter the life that unfolds; to treat cinema as a real experience for those who live its reality....

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: Batcho, James (Συγγραφέας, http://id.loc.gov/vocabulary/relators/aut)
Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
Γλώσσα:English
Έκδοση: Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2018.
Έκδοση:1st ed. 2018.
Θέματα:
Διαθέσιμο Online:Full Text via HEAL-Link
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245 1 0 |a Terrence Malick's Unseeing Cinema  |h [electronic resource] :  |b Memory, Time and Audibility /  |c by James Batcho. 
250 |a 1st ed. 2018. 
264 1 |a Cham :  |b Springer International Publishing :  |b Imprint: Palgrave Macmillan,  |c 2018. 
300 |a XV, 201 p.  |b online resource. 
336 |a text  |b txt  |2 rdacontent 
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505 0 |a 1. Introduction -- 2. Unseeing -- 3. 'Logos' of Cinema -- 4. Days of Heaven and Hell -- 5. Malick's Temporal Shift -- 6. Listening to the 'Logos' -- 7. Continuer. . 
520 |a This unique study opens up a new dimension of Terrence Malick's cinema - its expressions of unseeing and hearing. 'Unseeing' is Malick's means of transcending the moment in order to enter the life that unfolds; to treat cinema as a real experience for those who live its reality. In this way, Terrence Malick's Unseeing Cinema moves beyond film theory to advance a work of original philosophy, bringing together two thinkers not normally associated with one another: Gilles Deleuze and Søren Kierkegaard. It investigates how Malick's gatherings of time allow one to explore new philosophical questions about immanence and transcendence, ethics and faith, time and infinity, and the foldings of subjectivity that are central to both philosophers. Beyond cinema, it offers a way to think about our everyday repetitions and recollections and our ephemeral points of connection with those we love. . 
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