Visible and Invisible Whiteness American White Supremacy through the Cinematic Lens /
Visible and Invisible Whiteness examines the complicity between Classical Hollywood narratives or genres and representations of white supremacy in the cinema. Close readings of D.W. Griffith's The Birth of a Nation by James Agee and James Baldwin explore these authors' perspectives on the...
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Συγγραφή απο Οργανισμό/Αρχή: | |
Μορφή: | Ηλεκτρονική πηγή Ηλ. βιβλίο |
Γλώσσα: | English |
Έκδοση: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2018.
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Έκδοση: | 1st ed. 2018. |
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Διαθέσιμο Online: | Full Text via HEAL-Link |
Πίνακας περιεχομένων:
- 1. Looking at American White Supremacy "Through a Glass Darkly": Baldwin's Critique of Birth of a Nation
- 2. "But Now I See": James Agee on Birth of a Nation
- 3. Contending Visions: Imitation of Life According to John M. Stahl and Douglas Sirk
- 4. Forsaking Hollywood: Samuel Fuller's "art house" White Dog
- 5. A Western by Any Other Name: Rainer Werner Fassbinder's Whity
- 6. Cream Rises to the Top: Jean Renoir and William Faulkner's The Southerner
- 7. Supremacy in Black Face: the Boris Vian-Michel Gast Controversy
- 8. Rachid Bouchareb's Comparative Take on Supremacy
- 9. A Post-Racial Imaginary and the Structures of Cinema.