Visible and Invisible Whiteness American White Supremacy through the Cinematic Lens /

Visible and Invisible Whiteness examines the complicity between Classical Hollywood narratives or genres and representations of white supremacy in the cinema. Close readings of D.W. Griffith's The Birth of a Nation by James Agee and James Baldwin explore these authors' perspectives on the...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: Craven, Alice Mikal (Συγγραφέας, http://id.loc.gov/vocabulary/relators/aut)
Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
Γλώσσα:English
Έκδοση: Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2018.
Έκδοση:1st ed. 2018.
Θέματα:
Διαθέσιμο Online:Full Text via HEAL-Link
Πίνακας περιεχομένων:
  • 1. Looking at American White Supremacy "Through a Glass Darkly": Baldwin's Critique of Birth of a Nation
  • 2. "But Now I See": James Agee on Birth of a Nation
  • 3. Contending Visions: Imitation of Life According to John M. Stahl and Douglas Sirk
  • 4. Forsaking Hollywood: Samuel Fuller's "art house" White Dog
  • 5. A Western by Any Other Name: Rainer Werner Fassbinder's Whity
  • 6. Cream Rises to the Top: Jean Renoir and William Faulkner's The Southerner
  • 7. Supremacy in Black Face: the Boris Vian-Michel Gast Controversy
  • 8. Rachid Bouchareb's Comparative Take on Supremacy
  • 9. A Post-Racial Imaginary and the Structures of Cinema.