British Women's Writing from Brontë to Bloomsbury, Volume 1 1840s and 1850s /
This five-volume series, British Women's Writing From Brontë to Bloomsbury, 1840-1940, historically contextualizes and traces developments in women's fiction from 1840 to 1940. Critically assessing both canonical and lesser-known British women's writing decade by decade, it redefines...
Συγγραφή απο Οργανισμό/Αρχή: | |
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Άλλοι συγγραφείς: | , |
Μορφή: | Ηλεκτρονική πηγή Ηλ. βιβλίο |
Γλώσσα: | English |
Έκδοση: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2018.
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Έκδοση: | 1st ed. 2018. |
Σειρά: | British Women's Writing from Brontë to Bloomsbury, 1840-1940,
1 |
Θέματα: | |
Διαθέσιμο Online: | Full Text via HEAL-Link |
Πίνακας περιεχομένων:
- 1. Introduction: Adrienne E. Gavin and Carolyn W. de la L. Oulton
- 2. 'Pleasant, easy work, -& not useless, I hope': Harriet Martineau as a Children's Writer of the 1840s: Valerie Sanders
- 3. 'Powerful beyond all question': Catherine Crowe's Novels of the 1840s: Ruth Heholt
- 4. Women in Service: Private Lives and Labour in Mary Howitt's Work and Wages: Erin D. Chamberlain
- 5. Confronting the 1840s: Christian Johnstone in Criticism and Fiction: Joanne Wilkes
- 6. Jane Eyre, Orphan Governess: Narrating Victorian Vulnerability and Social Change: Tamara S. Wagner
- 7. 'I was in the condition of mind to be shocked at nothing': Losing the Plot in Wuthering Heights: Carolyn W. de la L. Oulton
- 8. Anne Brontë: An Unlikely Subversive: Kristin A. Le Veness
- 9. The Female Voice and Industrial Fiction: Elizabeth Gaskell's Mary Barton: Carolyn Lambert
- 10. The Age of the Female Novelist: Single Women as Writers of Fiction: Sharon Connor
- 11. 'Excluded from a woman's natural destiny': Disability and Femininity in Dinah Mulock's Olive and Charlotte M. Yonge's The Daisy Chain: Clare Walker Gore
- 12. 'The eatables were of the slightest description': Consumption and Consumerism in Cranford: Anne Longmuir
- 13.'There never was a mistress whose rule was milder': Sadomasochism and Female Identity in Charlotte Brontë's Villette: Abigail Boucher
- 14. Cultivating King Arthur: Women Writers and Arthurian Romance in the 1850s: Katie Garner
- 15. '[T]he work of a she-devil': Sensation Fiction, Crime Writing, and Caroline Clive's Paul Ferroll: Adrienne E. Gavin
- 16. '[Your novel] quite gives me a pain in the stomach': How Paternal Disapproval Ended Julia Wedgwood's Promising Career as a Novelist: Sue Brown
- 17. Adam Bede and 'the green trash of the railway stall': George Eliot and the Lady Novelists of 1859: Gail Marshall.