|
|
|
|
LEADER |
04941nam a2200517 4500 |
001 |
978-3-319-90134-3 |
003 |
DE-He213 |
005 |
20191021214052.0 |
007 |
cr nn 008mamaa |
008 |
180802s2018 gw | s |||| 0|eng d |
020 |
|
|
|a 9783319901343
|9 978-3-319-90134-3
|
024 |
7 |
|
|a 10.1007/978-3-319-90134-3
|2 doi
|
040 |
|
|
|d GrThAP
|
050 |
|
4 |
|a PN1995
|
072 |
|
7 |
|a APFN
|2 bicssc
|
072 |
|
7 |
|a PER004060
|2 bisacsh
|
072 |
|
7 |
|a ATFN
|2 thema
|
082 |
0 |
4 |
|a 791.436
|2 23
|
245 |
1 |
0 |
|a Rethinking Genre in Contemporary Global Cinema
|h [electronic resource] /
|c edited by Silvia Dibeltulo, Ciara Barrett.
|
250 |
|
|
|a 1st ed. 2018.
|
264 |
|
1 |
|a Cham :
|b Springer International Publishing :
|b Imprint: Palgrave Macmillan,
|c 2018.
|
300 |
|
|
|a XV, 242 p. 3 illus., 1 illus. in color.
|b online resource.
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
347 |
|
|
|a text file
|b PDF
|2 rda
|
505 |
0 |
|
|a 1. Introduction: Genres in Transition (Silvia Dibeltulo and Ciara Barrett) -- 2. Black, White, and Transnational: An Analysis of the Rise, Fall, and Potential Rebirth of the Contemporary Urban Dance Musical in Anglophone Western Cinemas (Ciara Barrett) -- 3. Tales of Loss, Betrayal, and Regain: Irishness and Ethnic Identity in Contemporary Irish-Themed American Gangster Films (Silvia Dibeltulo) -- 4. Neurotic and Going Nowhere: Comedy and the Contemporary Jewish American Male (Jennifer O'Meara) -- 5. Modern Bromance, Mikhail Bakhtin, and the Dialogics of Alterity (David Wall) -- 6. The En-genrement of the Nation: The Spanish Civil War Film and Guillermo del Toro's Fantasies (Juan F. Egea) -- 7. Commedia all' italiana American Style: Assessing the Recent Remakes of Classic Comedy Italian Style (Giacomo Boitani) -- 8. The Wuxia Films of Zhang Yimou: A Genre in Transit (Ian Kinane) -- 9. The "Smart" Teen Film 1990-2005: Identity Crisis, Nostalgia, and the Teenage Viewpoint (Laura Canning) -- 10. Constructing the Televideofilm: Corporatization, Genrefication, and the Blurring Boundaries of Nigerian Media (Noah Tsika) -- 11. From Nordic Gloom to Nordic Cool: Producing Genre Film for the Global Markets (Pietari Kääpä) -- 12. A Bollywood Commercial for Ireland: Filming Ek Tha Tiger in Dublin (Giovanna Rampazzo) -- 13. Kant's Sublime and the Disaster Film after 9/11 (Barry Monahan) -- 14. Two Chronotopes of the Terrorist Genre (Cormac Deane) -- 15. Between Torture Porn and Zombie Apocalypse: Horror and Utopia in British-themed Biopolitical Films after 9/11 (Tamás Nagypál).
|
520 |
|
|
|a Rethinking Genre in Contemporary Global Cinema offers a unique, wide-ranging exploration of the intersection between traditional modes of film production and new, transitional/transnational approaches to film genre and related discourses in a contemporary, global context. This volume's content-the films, genres, and movements explored, as well as methodologies used in their analysis-is diverse and, crucially, up-to-date with contemporary film-making practice and theory. Significantly, the collection extends existing scholarly discourse on film genre beyond its historical bias towards a predominant focus on Hollywood cinema, on the one hand, and a tendency to treat "other" national cinemas in isolation and/or as distinct systems of production, on the other. In view of the ever-increasing globalisation and transnational mediation of film texts and screen media and culture worldwide, the book recognises the need for film genre studies and film genre criticism to cast a broader, indeed global, scope. The collection thus rethinks genre cinema as a transitional, cross-cultural, and increasingly transnational, global paradigm of film-making in diverse contexts.
|
650 |
|
0 |
|a Film genres.
|
650 |
|
0 |
|a Motion pictures.
|
650 |
|
0 |
|a Culture.
|
650 |
1 |
4 |
|a Genre.
|0 http://scigraph.springernature.com/things/product-market-codes/413110
|
650 |
2 |
4 |
|a Global Cinema and TV.
|0 http://scigraph.springernature.com/things/product-market-codes/413240
|
650 |
2 |
4 |
|a Global/International Culture.
|0 http://scigraph.springernature.com/things/product-market-codes/411160
|
650 |
2 |
4 |
|a Close Reading.
|0 http://scigraph.springernature.com/things/product-market-codes/413250
|
650 |
2 |
4 |
|a Film Theory.
|0 http://scigraph.springernature.com/things/product-market-codes/413090
|
700 |
1 |
|
|a Dibeltulo, Silvia.
|e editor.
|4 edt
|4 http://id.loc.gov/vocabulary/relators/edt
|
700 |
1 |
|
|a Barrett, Ciara.
|e editor.
|4 edt
|4 http://id.loc.gov/vocabulary/relators/edt
|
710 |
2 |
|
|a SpringerLink (Online service)
|
773 |
0 |
|
|t Springer eBooks
|
776 |
0 |
8 |
|i Printed edition:
|z 9783319901336
|
776 |
0 |
8 |
|i Printed edition:
|z 9783319901350
|
776 |
0 |
8 |
|i Printed edition:
|z 9783030079406
|
856 |
4 |
0 |
|u https://doi.org/10.1007/978-3-319-90134-3
|z Full Text via HEAL-Link
|
912 |
|
|
|a ZDB-2-LCM
|
950 |
|
|
|a Literature, Cultural and Media Studies (Springer-41173)
|