Cognitive Theory and Documentary Film
This groundbreaking edited collection is the first major study to explore the intersection between cognitive theory and documentary film studies, focusing on a variety of formats, such as first-person, wildlife, animated and slow TV documentary, as well as docudrama and web videos. Documentaries pla...
| Συγγραφή απο Οργανισμό/Αρχή: | |
|---|---|
| Άλλοι συγγραφείς: | , |
| Μορφή: | Ηλεκτρονική πηγή Ηλ. βιβλίο |
| Γλώσσα: | English |
| Έκδοση: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2018.
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| Έκδοση: | 1st ed. 2018. |
| Θέματα: | |
| Διαθέσιμο Online: | Full Text via HEAL-Link |
Πίνακας περιεχομένων:
- 1 Introduction: Intersecting Cognitive Theory and Documentary Film
- Part I The Mediation of Realities
- 2 A Documentary of the Mind: Self, Cognition and Imagination in Anders Østergaard's Films
- 3 Little Voices and Big Spaces: Animated Documentary and Conceptual Blending Theory
- 4 Documentary Spectatorship and the Navigation of "Difficulty"
- 5 Docudrama and the Cognitive Evaluation of Realism
- 6 The Duties of Documentary in a Post-Truth Society
- Part II Character Engagement
- 7 Characterization and Character Engagement in the Documentary
- 8 The Difficulty of Eliciting Empathy in Documentary
- 9.Fake Pictures, Real Emotions: A Case Study of Art and Craft
- 10 Engaging Animals in Wildlife Documentaries: From Anthropomorphism to Trans-species Empathy.-Part III Emotions and Embodied Experience.-11 Collateral Emotions: Political Web Videos and Divergent Audience Responses
- 12 Slow TV: The Experiential and Multisensory Documentary
- 13 Toward a Cognitive Definition of First-Person Documentary
- 14 The Communication of Relational Knowledge in the First-Person Documentary
- Part IV Documentary Practice
- 15 A Social Cognition Approach to Stereotyping in Documentary Practice
- 16 A Cognitive Approach to Producing the Documentary Interview
- 17 Documentary Editing and Distributed Cognition.
