Film in the Anthropocene Philosophy, Ecology, and Cybernetics /

This book provides an interdisciplinary analysis of film in the context of the Anthropocene: the new geological era in which human beings have collectively become a force of nature. Daniel White draws on perspectives in philosophy, ecology, and cybernetics (the science of communication and control i...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: White, Daniel (Συγγραφέας, http://id.loc.gov/vocabulary/relators/aut)
Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
Γλώσσα:English
Έκδοση: Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2018.
Έκδοση:1st ed. 2018.
Θέματα:
Διαθέσιμο Online:Full Text via HEAL-Link
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245 1 0 |a Film in the Anthropocene  |h [electronic resource] :  |b Philosophy, Ecology, and Cybernetics /  |c by Daniel White. 
250 |a 1st ed. 2018. 
264 1 |a Cham :  |b Springer International Publishing :  |b Imprint: Palgrave Macmillan,  |c 2018. 
300 |a XIV, 341 p. 2 illus.  |b online resource. 
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505 0 |a 1. Introduction: Stepping into the Play Frame-Cinema as Mammalian Communication -- 2. Janus's Celluloid and Digital Faces: The Existential Cyborg-Autopoiēsis in Christopher Nolan's Memento -- 3. Documentary Intertext: Robert Gardner's Dead Birds 1964 -- 4. Cinema's Historical Incarnations: Traveling the Möbius Strip of Biotime in Cloud Atlas -- 5. Documentary Intertext: John Marshall, The Hunters 1957 -- 6. Janus East and West: Multicultural Polyvocality-Trinh Minh-ha's The Fourth Dimension and The Digital Film -- 7. Documentary Intertext: Trance and Dance in Bali 1951 -- 8. Janus's Interspecies Faces: Biomorphic Transformations in the Ecology of Mind in James Cameron's Avatar -- 9. Documentary Intertext: André Singer's and J. Stephen Lansing's The Goddess and the Computer 1988 -- 10. Conclusion: Toward a Transdisciplinary Critical Theory of Film. 
520 |a This book provides an interdisciplinary analysis of film in the context of the Anthropocene: the new geological era in which human beings have collectively become a force of nature. Daniel White draws on perspectives in philosophy, ecology, and cybernetics (the science of communication and control in animals and machines) to explore human self-understanding through film in the new era. The classical figure of Janus, looking both to the future and the past, serves as a guide throughout the study. Both feature and documentary films are considered. . 
650 0 |a Philosophy. 
650 0 |a Motion pictures. 
650 0 |a Ethnology. 
650 1 4 |a Philosophy of Man.  |0 http://scigraph.springernature.com/things/product-market-codes/E28000 
650 2 4 |a Audio-Visual Culture.  |0 http://scigraph.springernature.com/things/product-market-codes/413190 
650 2 4 |a Cultural Anthropology.  |0 http://scigraph.springernature.com/things/product-market-codes/411060 
710 2 |a SpringerLink (Online service) 
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776 0 8 |i Printed edition:  |z 9783319930145 
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950 |a Religion and Philosophy (Springer-41175)