Film in the Anthropocene Philosophy, Ecology, and Cybernetics /
This book provides an interdisciplinary analysis of film in the context of the Anthropocene: the new geological era in which human beings have collectively become a force of nature. Daniel White draws on perspectives in philosophy, ecology, and cybernetics (the science of communication and control i...
Κύριος συγγραφέας: | |
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Συγγραφή απο Οργανισμό/Αρχή: | |
Μορφή: | Ηλεκτρονική πηγή Ηλ. βιβλίο |
Γλώσσα: | English |
Έκδοση: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2018.
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Έκδοση: | 1st ed. 2018. |
Θέματα: | |
Διαθέσιμο Online: | Full Text via HEAL-Link |
Πίνακας περιεχομένων:
- 1. Introduction: Stepping into the Play Frame-Cinema as Mammalian Communication
- 2. Janus's Celluloid and Digital Faces: The Existential Cyborg-Autopoiēsis in Christopher Nolan's Memento
- 3. Documentary Intertext: Robert Gardner's Dead Birds 1964
- 4. Cinema's Historical Incarnations: Traveling the Möbius Strip of Biotime in Cloud Atlas
- 5. Documentary Intertext: John Marshall, The Hunters 1957
- 6. Janus East and West: Multicultural Polyvocality-Trinh Minh-ha's The Fourth Dimension and The Digital Film
- 7. Documentary Intertext: Trance and Dance in Bali 1951
- 8. Janus's Interspecies Faces: Biomorphic Transformations in the Ecology of Mind in James Cameron's Avatar
- 9. Documentary Intertext: André Singer's and J. Stephen Lansing's The Goddess and the Computer 1988
- 10. Conclusion: Toward a Transdisciplinary Critical Theory of Film.