Film in the Anthropocene Philosophy, Ecology, and Cybernetics /

This book provides an interdisciplinary analysis of film in the context of the Anthropocene: the new geological era in which human beings have collectively become a force of nature. Daniel White draws on perspectives in philosophy, ecology, and cybernetics (the science of communication and control i...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: White, Daniel (Συγγραφέας, http://id.loc.gov/vocabulary/relators/aut)
Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
Γλώσσα:English
Έκδοση: Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2018.
Έκδοση:1st ed. 2018.
Θέματα:
Διαθέσιμο Online:Full Text via HEAL-Link
Πίνακας περιεχομένων:
  • 1. Introduction: Stepping into the Play Frame-Cinema as Mammalian Communication
  • 2. Janus's Celluloid and Digital Faces: The Existential Cyborg-Autopoiēsis in Christopher Nolan's Memento
  • 3. Documentary Intertext: Robert Gardner's Dead Birds 1964
  • 4. Cinema's Historical Incarnations: Traveling the Möbius Strip of Biotime in Cloud Atlas
  • 5. Documentary Intertext: John Marshall, The Hunters 1957
  • 6. Janus East and West: Multicultural Polyvocality-Trinh Minh-ha's The Fourth Dimension and The Digital Film
  • 7. Documentary Intertext: Trance and Dance in Bali 1951
  • 8. Janus's Interspecies Faces: Biomorphic Transformations in the Ecology of Mind in James Cameron's Avatar
  • 9. Documentary Intertext: André Singer's and J. Stephen Lansing's The Goddess and the Computer 1988
  • 10. Conclusion: Toward a Transdisciplinary Critical Theory of Film.