A Post-Nationalist History of Television in Ireland

This book explores the question of how society has changed with the introduction of private screens. Taking the history of television in Ireland as a case study due to its position at the intersection of British and American media influences, this work argues that, internationally, the transnational...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: Brennan, Edward (Συγγραφέας, http://id.loc.gov/vocabulary/relators/aut)
Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
Γλώσσα:English
Έκδοση: Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2019.
Έκδοση:1st ed. 2019.
Θέματα:
Διαθέσιμο Online:Full Text via HEAL-Link
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245 1 2 |a A Post-Nationalist History of Television in Ireland  |h [electronic resource] /  |c by Edward Brennan. 
250 |a 1st ed. 2019. 
264 1 |a Cham :  |b Springer International Publishing :  |b Imprint: Palgrave Macmillan,  |c 2019. 
300 |a XV, 235 p. 9 illus., 6 illus. in color.  |b online resource. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
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505 0 |a 1. How Should We Write a History of Television? -- 2. A Dominant Narrative in Irish Television History -- 3. Personal Memory and Social Power -- 4. Making Sense of Television -- 5. Memories of Imported Programmes and International Broadcasts -- 6. Time, Space and Television -- 7. Recollection and Social Status -- 8. Putting the Bishop and the Nightie to Bed -- 9. Personally Remembering the Global. . 
520 |a This book explores the question of how society has changed with the introduction of private screens. Taking the history of television in Ireland as a case study due to its position at the intersection of British and American media influences, this work argues that, internationally, the transnational nature of television has been obscured by a reliance on institutional historical sources. This has, in turn, muted the diversity of audience experiences in terms of class, gender and geography. By shifting the focus away from the default national lens and instead turning to audience memories as a key source, A Post-Nationalist History of Television in Ireland defies the notion of a homogenous national television experience and embraces the diverse and transnational nature of watching television. Turning to people's memories of past media, this study ultimately suggests that the arrival of the television in Ireland, and elsewhere, was part of a long-term, incremental change where the domestic and the intimate became increasingly fused with the global. . 
650 0 |a Motion pictures and television. 
650 0 |a Great Britain-History. 
650 0 |a Historiography. 
650 1 4 |a Screen Studies.  |0 http://scigraph.springernature.com/things/product-market-codes/413000 
650 2 4 |a History of Britain and Ireland.  |0 http://scigraph.springernature.com/things/product-market-codes/717020 
650 2 4 |a Memory Studies.  |0 http://scigraph.springernature.com/things/product-market-codes/711010 
710 2 |a SpringerLink (Online service) 
773 0 |t Springer eBooks 
776 0 8 |i Printed edition:  |z 9783319968599 
776 0 8 |i Printed edition:  |z 9783319968612 
856 4 0 |u https://doi.org/10.1007/978-3-319-96860-5  |z Full Text via HEAL-Link 
912 |a ZDB-2-LCM 
950 |a Literature, Cultural and Media Studies (Springer-41173)