European Television Crime Drama and Beyond

• Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
• Άλλοι συγγραφείς: Toft Hansen, Kim (Επιμελητής έκδοσης, http://id.loc.gov/vocabulary/relators/edt), Peacock, Steven (Επιμελητής έκδοσης, http://id.loc.gov/vocabulary/relators/edt), Turnbull, Sue (Επιμελητής έκδοσης, http://id.loc.gov/vocabulary/relators/edt)
• Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
• Γλώσσα: English
• Έκδοση: Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2018.
• Έκδοση: 1st ed. 2018.
• Σειρά: Palgrave European Film and Media Studies
• Θέματα: Ethnology-Europe.; Motion pictures-European influences.; European Culture.; European Cinema and TV.

This book is the first to focus on the role of European television crime drama on the international market. As a genre, the television crime drama has enjoyed a long and successful career, routinely serving as a prism from which to observe the local, national and even transnational issues that are p...

Πίνακας περιεχομένων:

• 1. Down these European mean streets:Contemporary issues in European television crime drama, Kim Toft Hansen, Steven Peacock and Sue Turnbull
• Section I: Noir Aesthetics
• 2. Framing Nordic noir: From Film Noir to High-End Television Drama, Audun Engelstad
• 3. The Rise of "Bright Noir": Redemption and Moral Optimism in American Contemporary TV Noir, Alberto N. García
• 4. Melancholy and Murder: Feelings, Atmosphere and Social Criticism in Television Crime Series, Gunhild Agger and Anne Marit Waade
• 5. Locating sound in UK/US television crime drama: The affective impact of sound effects and music in Happy Valley and Hannibal, Lucy Donaldson
• 6. Seriousness, ordinariness, and "actual police work": British and American TV crime dramas True Detective, Suspects and Cuffs, Helen Piper
• Section II: Noir Regionalism and Transnationalism
• 7. Local, National, Transnational: Y Gwyll/Hinterland as Crime of/for all Places, Elke Weissmann
• 8. The transnational appeal of the Italian Mafia story, Milly Buonanno
• 9. The Rise of Noir in the Sun: Spanish Crime Drama and Contemporary Television Drama Production, Concepción Cascajosa Virino
• 10. Crime Scene Germany: Regionalism, Audiences, and the German Public Broadcasting System, Susanne Eichner
• 11. Searching for 'Aura' in Cinayet: Audience Reception of the Turkish Remake of Forbrydelsen, Yesim Kaptan
• Section III: Noir Market Value
• 12. Local noir and local identity: Norskov and the spatial implications of branded content, Jørgen Riber Christensen and Kim Toft Hansen
• 13. The Flemish TV Market: Crime drama as a driver for market sustainability?, Tim Raats
• 14. Secret City and Micromarkets: The 'Global Noir Audience' for Australian Crime Drama, Sue Turnbull and Marion McCutcheon
• 15. Saga's Story: Emotional engagement in the production and reception of The Bridge, Annette Hill.