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03758nam a2200541 4500 |
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978-3-319-96923-7 |
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20191021214703.0 |
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180922s2018 gw | s |||| 0|eng d |
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|a 9783319969237
|9 978-3-319-96923-7
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|a 10.1007/978-3-319-96923-7
|2 doi
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|a HM621-656
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|a 353.7
|2 23
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|a Walkley, Sarah.
|e author.
|4 aut
|4 http://id.loc.gov/vocabulary/relators/aut
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|a Cultural Diversity in the French Film Industry
|h [electronic resource] :
|b Defending the Cultural Exception in a Digital Age /
|c by Sarah Walkley.
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|a 1st ed. 2018.
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|a Cham :
|b Springer International Publishing :
|b Imprint: Palgrave Macmillan,
|c 2018.
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|a XI, 278 p. 17 illus.
|b online resource.
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|a text
|b txt
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|a computer
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|a online resource
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|a text file
|b PDF
|2 rda
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|a New Directions in Cultural Policy Research
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|a List of figures -- List of tables -- Table of abbreviations -- 1. Introduction -- 2. Influence & identity: French motivation for defending cultural diversity -- 3. French film policy: Principles and practice -- 4. The trade and culture clash: The background to the current stalemate -- 5. The digital revolution: Evolving demand v. consistent policy making -- 6. Cultural diversity re-examined: The case for rethinking French film policy -- 7. The market test: Assessing cultural policy and cultural diversity in France -- 8. Conclusion -- Appendix -- Index.
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|a This is the first book to examine whether France's ongoing defence of the cultural exception as a means to maintain cultural policies and defend cultural diversity is justifiable in the digital age. It questions whether the arrival of new players such as Apple and Netflix makes defence impossible, and whether an explosion in the number of films available makes policies for cultural promotion increasingly unnecessary. The book takes a critical look at French film policy to establish whether it promotes cultural diversity across cinema and video on demand and the implications for ongoing defence of the cultural exception. Sarah Walkley ultimately makes the case for a more disciplined approach to discussion of the cultural exception and cultural diversity in France supporting ideological arguments about competition, freedom of expression, consumer choice and national identity with concrete evidence of the success of French policies in countering US film market dominance.
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|a Cultural policy.
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|a Mass media-Political aspects.
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|a Motion pictures-European influences.
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|a Motion pictures.
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|a Cultural Policy and Politics.
|0 http://scigraph.springernature.com/things/product-market-codes/411120
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|a Media Policy.
|0 http://scigraph.springernature.com/things/product-market-codes/412070
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|a European Cinema and TV.
|0 http://scigraph.springernature.com/things/product-market-codes/413060
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|a Film/TV Industry.
|0 http://scigraph.springernature.com/things/product-market-codes/413170
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|a SpringerLink (Online service)
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|t Springer eBooks
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|i Printed edition:
|z 9783319969220
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|i Printed edition:
|z 9783319969244
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|i Printed edition:
|z 9783030072735
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|a New Directions in Cultural Policy Research
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|u https://doi.org/10.1007/978-3-319-96923-7
|z Full Text via HEAL-Link
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|a ZDB-2-LCM
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|a Literature, Cultural and Media Studies (Springer-41173)
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