The Use of Asian Theatre for Modern Western Theatre The Displaced Mirror /

This book is a historical study of the use of Asian theatre for modern Western theatre as practiced by its founding fathers, including Aurélien Lugné-Poe, Adolphe Appia, Gordon Craig, W. B. Yeats, Jacques Copeau, Charles Dullin, Antonin Artaud, V. E. Meyerhold, Sergei Eisenstein, and Bertolt Brech...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: Tian, Min (Συγγραφέας, http://id.loc.gov/vocabulary/relators/aut)
Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
Γλώσσα:English
Έκδοση: Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2018.
Έκδοση:1st ed. 2018.
Σειρά:Palgrave Studies in Theatre and Performance History
Θέματα:
Διαθέσιμο Online:Full Text via HEAL-Link
Πίνακας περιεχομένων:
  • Chapter 1. Lugné-Poe's Orientalism as Part of his Mission as an International Dramatic Prospector
  • Chapter 2. Appia's and Craig's Views of the Japanese Theatre
  • Chapter 3. The Use of the Noh by Jacques Copeau and Suzzane Bing
  • Chapter 4. Theatre of Transposition: Charles Dullin and the East Asian Theatre
  • Chapter 5. Authenticity and Usability, or "Welding the Unweldable": Meyerhold's Refraction of the Japanese Theatre
  • Chapter 6. How Does the Billy-Goat Produce Milk? Sergei Eisenstein's Disintegration and Reconstitution of Kabuki Theatre
  • Chapter 7. "The 'Asiatic' Model": The Brechtian Displacement and Refunctioning of the Japanese Theatre
  • Conclusion.