The Use of Asian Theatre for Modern Western Theatre The Displaced Mirror /
This book is a historical study of the use of Asian theatre for modern Western theatre as practiced by its founding fathers, including Aurélien Lugné-Poe, Adolphe Appia, Gordon Craig, W. B. Yeats, Jacques Copeau, Charles Dullin, Antonin Artaud, V. E. Meyerhold, Sergei Eisenstein, and Bertolt Brech...
Κύριος συγγραφέας: | |
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Συγγραφή απο Οργανισμό/Αρχή: | |
Μορφή: | Ηλεκτρονική πηγή Ηλ. βιβλίο |
Γλώσσα: | English |
Έκδοση: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2018.
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Έκδοση: | 1st ed. 2018. |
Σειρά: | Palgrave Studies in Theatre and Performance History
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Θέματα: | |
Διαθέσιμο Online: | Full Text via HEAL-Link |
Πίνακας περιεχομένων:
- Chapter 1. Lugné-Poe's Orientalism as Part of his Mission as an International Dramatic Prospector
- Chapter 2. Appia's and Craig's Views of the Japanese Theatre
- Chapter 3. The Use of the Noh by Jacques Copeau and Suzzane Bing
- Chapter 4. Theatre of Transposition: Charles Dullin and the East Asian Theatre
- Chapter 5. Authenticity and Usability, or "Welding the Unweldable": Meyerhold's Refraction of the Japanese Theatre
- Chapter 6. How Does the Billy-Goat Produce Milk? Sergei Eisenstein's Disintegration and Reconstitution of Kabuki Theatre
- Chapter 7. "The 'Asiatic' Model": The Brechtian Displacement and Refunctioning of the Japanese Theatre
- Conclusion.