Theatre in the Context of the Yugoslav Wars

• Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
• Άλλοι συγγραφείς: Dolečki, Jana (Επιμελητής έκδοσης, http://id.loc.gov/vocabulary/relators/edt), Halilbašić, Senad (Επιμελητής έκδοσης, http://id.loc.gov/vocabulary/relators/edt), Hulfeld, Stefan (Επιμελητής έκδοσης, http://id.loc.gov/vocabulary/relators/edt)
• Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
• Γλώσσα: English
• Έκδοση: Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2018.
• Έκδοση: 1st ed. 2018.
• Θέματα: Theater-History.; Performing arts.; Theater.; Theatre History.; Performing Arts.; National/Regional Theatre and Performance.

 This book assembles texts by renowned academics and theatre artists who were professionally active during the wars in former Yugoslavia. It examines examples of how various forms of theatre and performance reacted to the conflicts in Serbia, Croatia, Bosnia and Herzegovina, Slovenia, and Kosovo while they were ongoing. It explores state-funded National Theatre activities between escapism and denial, the theatre aesthetics of protest and resistance, and symptomatic shifts and transformations in the production of theatre under wartime circumstances, both in theory and in practice. In addition, it looks beyond the period of conflict itself, examining the aftermath of war in contemporary theatre and performance, such as by considering Ivan Vidić's war trauma plays, the art campaigns of the international feminist organization Women in Black, and Peter Handke's play Voyage by Dugout. The introduction explores correlations between the contributions and initiates a reflection on the further development of the research field. Overall, the volume provides new perspectives and previously unpublished research in the fields of theory and historiography of theatre, as well as Southeast European Studies. 

 1. Introduction -- 2. Testimony: Borka PAVIĆEVIĆ -- 3. Irena ŠENTEVSKA: Stages of Denial: State-funded Theatres in Serbia and the Yugoslav Wars -- 4. Senad HALILBAŠIĆ: Bosnia and Herzegovina's National Theatres in the Context of Language Politics During the War -- 5. Testimony: Amela KRESO -- 6. Jeton NEZIRAJ: Theatre as Resistance. The Dodona Theatre in Kosovo -- 7. Ksenija RADULOVIĆ: War Discourse on Institutional Stages: Serbian Theatre 1991-1995 -- 8. Jana DOLEČKI: Theatre on the Front Lines: Ad Hoc Cabaret in Croatia, 1991-1992 -- 9. Lada ČALE FELDMAN: Within and Beyond Theatre: President Tuđman's Birthday Celebration at the Croatian National Theatre in Zagreb -- 10. Testimony: Snježana BANOVIĆ -- 11. Milena DRAGIĆEVIĆ ŠEŠIĆ: Culture of Dissent, Art of Rebellion: The Psychiatric Hospital as a Theatre Stage in the Work of Zorica Jevremović -- 12. Ana DEVIĆ: Theatre of Diversity and Avant-Garde in Late Socialist Yugoslavia and Beyond: Paradoxes of the Disintegration and Cultural Subversion -- 13. Testimony: Borut ŠEPAROVIĆ -- 14. Barbara OREL: The Theatre Exchange between Slovenia and the Republics of Former Yugoslavia in the 1990s -- 15. Branislav JAKOVLJEVIĆ: Peter Handke's River Journeys: Fording the Stream of Conscience -- 16. Testimony: Nihad KREŠEVLJAKOVIĆ -- 17. Darko LUKIĆ: Strategies for Challenging Official Mythologies in War Trauma Plays: The Croatian Playwright Ivan Vidić -- 18. Aleksandra JOVIĆEVIĆ: Postmodern Antigones: Women in Black and the Performance of Involuntary Memory -- 19. Testimony: Dino MUSTAFIĆ.