Visualization of Digital Terrain and Landscape Data A Manual /

This book reflects a profound change that has taken place in the practice of landscape architecture and planning in the past twenty years. Traditional modes of representation – pen, pencil, watercolor, marker, et al – have been supplanted by digital modeling and animation. This transformation is not...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριοι συγγραφείς: Mach, Rüdiger (Συγγραφέας), Petschek, Peter (Συγγραφέας)
Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
Γλώσσα:English
Έκδοση: Berlin, Heidelberg : Springer Berlin Heidelberg, 2007.
Θέματα:
Διαθέσιμο Online:Full Text via HEAL-Link
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020 |a 9783540304913  |9 978-3-540-30491-3 
024 7 |a 10.1007/978-3-540-30491-3  |2 doi 
040 |d GrThAP 
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072 7 |a TEC036000  |2 bisacsh 
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100 1 |a Mach, Rüdiger.  |e author. 
245 1 0 |a Visualization of Digital Terrain and Landscape Data  |h [electronic resource] :  |b A Manual /  |c by Rüdiger Mach, Peter Petschek. 
264 1 |a Berlin, Heidelberg :  |b Springer Berlin Heidelberg,  |c 2007. 
300 |a XIX, 365 p.  |b online resource. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |b PDF  |2 rda 
505 0 |a Fundamentals and Data Source -- 3D Visualization of Terrain Data -- Using the Camera -- Lighting -- Vegetation -- Atmosphere -- Water -- Rendering & Post Processing -- Interaction with 3D Data -- Practical Examples. 
520 |a This book reflects a profound change that has taken place in the practice of landscape architecture and planning in the past twenty years. Traditional modes of representation – pen, pencil, watercolor, marker, et al – have been supplanted by digital modeling and animation. This transformation is not just in the medium of representation, however; it is more than a subs- tution of one marking device for another, such as may have been the case in the past when, for example, mechanical pens with cartridges replaced pens with nibs that were filled by dipping. Even changes such as that had their impacts (as longer straighter lines, for example, or more precision in details became possible) on the interplay between designer, design - dium, and designed artifact(s). The emergence of digital media as rep- sentational tools for designers has accompanied a transformation in the language of discourse in design and planning, in the very conception of the designed world we live in, and in the substance and role of the essential representations and abstractions used by planners and designers. In the past, when 2D planar representations (drawings, usually on paper) served as the conventional means of communication for designers (both with themselves and with others), physical objects or arrangements in 3D were transformed into a series of lines in 2D (plans, sections, elevations, e. g. 
650 0 |a Geography. 
650 0 |a Computer graphics. 
650 0 |a Computer-aided engineering. 
650 0 |a Geographical information systems. 
650 0 |a Regional planning. 
650 0 |a Urban planning. 
650 0 |a Landscape architecture. 
650 1 4 |a Geography. 
650 2 4 |a Geographical Information Systems/Cartography. 
650 2 4 |a Landscape/Regional and Urban Planning. 
650 2 4 |a Landscape Architecture. 
650 2 4 |a Computer-Aided Engineering (CAD, CAE) and Design. 
650 2 4 |a Computer Imaging, Vision, Pattern Recognition and Graphics. 
700 1 |a Petschek, Peter.  |e author. 
710 2 |a SpringerLink (Online service) 
773 0 |t Springer eBooks 
776 0 8 |i Printed edition:  |z 9783540304906 
856 4 0 |u http://dx.doi.org/10.1007/978-3-540-30491-3  |z Full Text via HEAL-Link 
912 |a ZDB-2-EES 
950 |a Earth and Environmental Science (Springer-11646)