Musical Creativity Strategies and Tools in Composition and Improvisation /

This book represents a new approach to musical creativity, dealing with the semiotics, mathematical principles, and software for creativity processes. After a thorough introduction, the book offers a first practical part with a detailed tutorial for students in composition and improvisation, using m...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριοι συγγραφείς: Mazzola, Guerino (Συγγραφέας), Park, Joomi (Συγγραφέας), Thalmann, Florian (Συγγραφέας)
Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
Γλώσσα:English
Έκδοση: Berlin, Heidelberg : Springer Berlin Heidelberg, 2011.
Σειρά:Computational Music Science,
Θέματα:
Διαθέσιμο Online:Full Text via HEAL-Link
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001 978-3-642-24517-6
003 DE-He213
005 20151204150119.0
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020 |a 9783642245176  |9 978-3-642-24517-6 
024 7 |a 10.1007/978-3-642-24517-6  |2 doi 
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072 7 |a ART000000  |2 bisacsh 
082 0 4 |a 004  |2 23 
100 1 |a Mazzola, Guerino.  |e author. 
245 1 0 |a Musical Creativity  |h [electronic resource] :  |b Strategies and Tools in Composition and Improvisation /  |c by Guerino Mazzola, Joomi Park, Florian Thalmann. 
264 1 |a Berlin, Heidelberg :  |b Springer Berlin Heidelberg,  |c 2011. 
300 |a XIV, 337 p. 146 illus., 114 illus. in color.  |b online resource. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |b PDF  |2 rda 
490 1 |a Computational Music Science,  |x 1868-0305 
505 0 |a Part I Introduction -- Chap. 1 What the Book Is About -- Chap. 2 Oniontology -- Part II Practice -- Chap. 3 The Tutorial -- Chap. 4 Leitfaden -- Chap. 5 The General Method of Creativity -- Chap. 6 Getting off the Ground -- Chap. 7 Motivational Aspects -- Chap. 8 Rhythmical Aspects -- Chap. 9 The Pitch Aspect -- Chap. 10 The Harmonic Aspect -- Chap. 11 Melodic Aspects -- Chap. 12 The Contrapuntal Aspect -- Chap. 13 Instrumental Aspects -- Chap. 14 Large Form Aspects -- Chap. 15 Community Aspects -- Chap. 16 Commercial Aspects -- Chap. 17 Dodecaphonic Aspects -- Part III Theory -- Chap. 18 Principles of Creative Pedagogy -- Chap. 19 Material -- Chap. 20 Historical Principles -- Chap. 21 Present Principles -- Chap. 22 Our Principles -- Chap. 23 First Examples -- Chap. 24 Psychological Perspectives -- Chap. 25 Software -- Chap. 26 Composition and Improvisation -- Part IV Case Studies -- Chap. 27 Ludwig van Beethoven’s Op109: Six Variations -- Chap. 28 Beethoven’s Op109: Improvisational Aspects -- Chap. 29 Our CD -- Chap. 30 Boulez: Structures Recomposed -- Chap. 31 The Escher Theorem -- Part V Future Perspectives -- Chap. 32 Is There a General Scheme for Creativity? -- Chap. 33 The Balanced Dancing Performer -- References -- Bibliography. 
520 |a This book represents a new approach to musical creativity, dealing with the semiotics, mathematical principles, and software for creativity processes. After a thorough introduction, the book offers a first practical part with a detailed tutorial for students in composition and improvisation, using musical instruments and music software. The second, theoretical part deals with historical, actual, and new principles of creative processes in music, based on the results and methods developed in the first author’s book Topos of Music and referring to semiotics, predicative objects, topos theory, and object-oriented concept architectures. The third part of the book details four case studies in musical creativity, including an analysis of the six variations of Beethoven's sonata op. 109, a discussion of the creative process in a CD coproduced in 2011 by the first and second authors, a recomposition of Boulez’s "Structures pour deux pianos" using the Rubato software module BigBang developed by the third author, and the Escher theorem from mathematical gesture theory in music. This is both a textbook addressed to undergraduate and graduate students of music composition and improvisation, and also a state-of-the-art survey addressed to researchers in creativity studies and music technology. The book contains summaries and end-of-chapter questions, and the authors have used the book as the main reference to teach an undergraduate creativity studies program and also to teach composition. The text is supported throughout with musical score examples. 
650 0 |a Computer science. 
650 0 |a Music. 
650 0 |a Application software. 
650 0 |a Multimedia systems. 
650 1 4 |a Computer Science. 
650 2 4 |a Computer Appl. in Arts and Humanities. 
650 2 4 |a Music. 
650 2 4 |a Media Design. 
700 1 |a Park, Joomi.  |e author. 
700 1 |a Thalmann, Florian.  |e author. 
710 2 |a SpringerLink (Online service) 
773 0 |t Springer eBooks 
776 0 8 |i Printed edition:  |z 9783642245169 
830 0 |a Computational Music Science,  |x 1868-0305 
856 4 0 |u http://dx.doi.org/10.1007/978-3-642-24517-6  |z Full Text via HEAL-Link 
912 |a ZDB-2-SCS 
950 |a Computer Science (Springer-11645)