Musical Creativity Strategies and Tools in Composition and Improvisation /
This book represents a new approach to musical creativity, dealing with the semiotics, mathematical principles, and software for creativity processes. After a thorough introduction, the book offers a first practical part with a detailed tutorial for students in composition and improvisation, using m...
| Κύριοι συγγραφείς: | , , |
|---|---|
| Συγγραφή απο Οργανισμό/Αρχή: | |
| Μορφή: | Ηλεκτρονική πηγή Ηλ. βιβλίο |
| Γλώσσα: | English |
| Έκδοση: |
Berlin, Heidelberg :
Springer Berlin Heidelberg,
2011.
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| Σειρά: | Computational Music Science,
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| Θέματα: | |
| Διαθέσιμο Online: | Full Text via HEAL-Link |
Πίνακας περιεχομένων:
- Part I Introduction
- Chap. 1 What the Book Is About
- Chap. 2 Oniontology
- Part II Practice
- Chap. 3 The Tutorial
- Chap. 4 Leitfaden
- Chap. 5 The General Method of Creativity
- Chap. 6 Getting off the Ground
- Chap. 7 Motivational Aspects
- Chap. 8 Rhythmical Aspects
- Chap. 9 The Pitch Aspect
- Chap. 10 The Harmonic Aspect
- Chap. 11 Melodic Aspects
- Chap. 12 The Contrapuntal Aspect
- Chap. 13 Instrumental Aspects
- Chap. 14 Large Form Aspects
- Chap. 15 Community Aspects
- Chap. 16 Commercial Aspects
- Chap. 17 Dodecaphonic Aspects
- Part III Theory
- Chap. 18 Principles of Creative Pedagogy
- Chap. 19 Material
- Chap. 20 Historical Principles
- Chap. 21 Present Principles
- Chap. 22 Our Principles
- Chap. 23 First Examples
- Chap. 24 Psychological Perspectives
- Chap. 25 Software
- Chap. 26 Composition and Improvisation
- Part IV Case Studies
- Chap. 27 Ludwig van Beethoven’s Op109: Six Variations
- Chap. 28 Beethoven’s Op109: Improvisational Aspects
- Chap. 29 Our CD
- Chap. 30 Boulez: Structures Recomposed
- Chap. 31 The Escher Theorem
- Part V Future Perspectives
- Chap. 32 Is There a General Scheme for Creativity?
- Chap. 33 The Balanced Dancing Performer
- References
- Bibliography.
