Rabindranath Tagore in the 21st Century Theoretical Renewals /
This critical volume addresses the question of Rabindranath Tagore's relevance for postmodern and postcolonial discourse in the twenty-first century. The volume includes contributions by leading contemporary scholars on Tagore and analyses Tagore's literature, music, theatre, aesthetics, p...
Συγγραφή απο Οργανισμό/Αρχή: | |
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Άλλοι συγγραφείς: | |
Μορφή: | Ηλεκτρονική πηγή Ηλ. βιβλίο |
Γλώσσα: | English |
Έκδοση: |
New Delhi :
Springer India : Imprint: Springer,
2015.
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Σειρά: | Sophia Studies in Cross-cultural Philosophy of Traditions and Cultures,
7 |
Θέματα: | |
Διαθέσιμο Online: | Full Text via HEAL-Link |
Πίνακας περιεχομένων:
- Chapter 1. Introduction: Theory and the Performative Politics of Punctuation
- Chapter 2. The Rustle of Language
- Chapter 3. Translating Tagore: Shifting Paradigms
- Chapter 4. Two Giant Brothers
- Chapter 5. Tagore’s Idea of “World Literature”
- Chapter 6. Rethinking Cosmopolitan Modernity: Rabindranath Tagore on Nationalism and Internationalism
- Chapter 7. The Bauhaus, Rabindranath Tagore and his Paintings
- Chapter 8. Why Ratan fell in Love Unnoticed and Why Ashu was Ashamed: Tagore’s Short Fiction and the Ethics of Feeling
- Chapter 9. Remembering Robi: Childhood, Freedom and Rabindranath Tagore
- Chapter 10. The Educational Efforts of Rabindranath Tagore
- Chapter 11. The Delineation of the Female Subject in Rabindranath Tagore’s Novel Farewell, My Friend
- Chapter 12. Gender, Nation, and the Vicissitudes of Kalpana: Choreographing Womanly Beauty in Tagore’s Dance Dramas
- Chapter 13. Chitrangada and Contemporary Queer Appropriations of Tagore
- Chapter 14. Tagore and the North-East: Dialectics of Human Intellection and the Nature of Aesthetic Reflection
- Chapter 15. Rabindrasangeet and Modern Bengali Subjectivity
- Chapter 16. Tagore and National Identity Formation in Bangladesh
- Chapter 17. Tagore Through Portraits: An Intersubjective Picture Gallery
- Chapter 18. The Unanswered Question: Some Remarks on Tagore’s Late Style.