Moses Mendelssohn's Metaphysics and Aesthetics
This book presents an extended dialogue in essay form between specialists in the work of Moses Mendelssohn, and experts in important trends in related late-seventeenth and eighteenth century thought. The first group of contributors explores themes in Mendelssohn’s metaphysics and aesthetics, presen...
Συγγραφή απο Οργανισμό/Αρχή: | |
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Άλλοι συγγραφείς: | |
Μορφή: | Ηλεκτρονική πηγή Ηλ. βιβλίο |
Γλώσσα: | English |
Έκδοση: |
Dordrecht :
Springer Netherlands,
2011.
|
Σειρά: | Studies in German Idealism,
13 |
Θέματα: | |
Διαθέσιμο Online: | Full Text via HEAL-Link |
Πίνακας περιεχομένων:
- Preface
- THEORY OF LANGUAGE AND WRITING
- Verbal Disputes in Mendelssohn's “Morgenstunden”, D.O. Dahlstrom
- Writing, Dialogue, and Marginal Form: Mendelssohn's Style of Intervention, W. Goetschel
- MATHEMATICS AND PHILOSOPHY
- Mendelssohn, Wolff, and Bernoulli on Probability, E.D. Sylla
- Mendelssohn on Lambert’s “Neues Organon”, P. Basso
- Mendelssohn’s Euclidean Treatise on Equal Temperament, Henk Visser
- METAPHYSICS IN HISTORICAL CONTEXT
- Moses Mendelssohn on Spinoza, D. Pätzold
- Mendelssohn's Concept of the Human Soul in Comparison With Those of Georg Friedrich Meier and Kant, F. Tomasoni
- Turning the Game against the Idealist: Mendelssohn’s Refutation of Idealism in the “Morgenstunden” and Kant’s Replies, C.W. Dyck
- “What is the bond?” The discussion of Mendelssohn and Kant 1785-1787, R.W. Munk
- Divided by Common Sense: Mendelssohn and Jacobi on Reason and Inferential Justification, P. Franks
- The Year 1786 and “Die Bestimmung des Menschen,” or “Popularphilosophie” in Crisis, G. di Giovanni
- Mendelssohn versus Herder on the Vocation of Man, F.C. Beiser
- Free Will and Moral Necessity in Mendelssohn, J. Leilich
- AESTHETICS IN HISTORICAL CONTEXT
- Mendelssohn's Theory of Mixed Sentiments, P. Guyer
- The Eighteenth-Century Rehabilitation of Sensitive Knowledge and the Birth of Aesthetics: Wolff, Baumgarten and Mendelssohn, L.C. Madonna
- Mendelssohn's Spinozistic Alternative to Baumgarten's Pietist Project of Aesthetics, U. Goldenbaum
- Mendelssohn’s Response to Burke on The Sublime, A. Koller
- Moses Mendelssohn: Iconoclast, G. Freudenthal.