Aesthetics and the Embodied Mind: Beyond Art Theory and the Cartesian Mind-Body Dichotomy

The project of naturalizing human consciousness/experience has made great technical strides (e.g., in mapping areas of brain activity), but has been hampered in many cases by its uncritical reliance on a dualistic “Cartesian” paradigm (though as some of the authors in the collection point out, assum...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
Άλλοι συγγραφείς: Scarinzi, Alfonsina (Επιμελητής έκδοσης)
Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
Γλώσσα:English
Έκδοση: Dordrecht : Springer Netherlands : Imprint: Springer, 2015.
Σειρά:Contributions To Phenomenology, In Cooperation with The Center for Advanced Research in Phenomenology, 73
Θέματα:
Διαθέσιμο Online:Full Text via HEAL-Link
Πίνακας περιεχομένων:
  • Chapter 1 Introduction to a Non-classical View of Meaning-making and Human Cognition: Meaning-making as a Socially Distributed and Embodied Practice
  • Part I Embodied Aesthetics: The Anti-Cartesian View and Aesthetics of Life
  • Chapter 2 The Aesthetics of Embodied Life
  • Chapter 3 Dewey’s Aesthetics of Body-Mind Functioning
  • Chapter 4 Corpo-real Cognition: Pragmatist Aesthetics in William James
  • Chapter 5 Ecological Embodiment, Tragic Consciousness, and the Aesthetics of Possibility: Creating an Art of Living
  • Chapter 6 Emotionally Charged Experience
  • Part II Neuroscience, Aesthetics and the Embodied Mind
  • Chapter 7 Embodied Aesthetics : Insight from Cognitive Neuroscience of Performing Arts
  • Chapter 8 The Aesthetic Stance – On the Conditions and Consequences of Becoming a Beholder
  • Part III Art Beyond Art Theory and the Cartesian Mind-Body Dichotomy
  • Chapter 9 The Last ‘Touch’ Turns the Artist into a User: The Body, The Mind and The Social Aspect of Art
  • Chapter 10 Art that Moves: Exploring the Embodied Basis of Art Representation, Production, and Evaluation
  • Chapter 11 The Experience of Literariness: Affective and Narrative Aspects
  • Chapter 12 A Qualitative Study of Aesthetic Reflection as Embodied Interpretation
  • Part IV Radicalizing the Anti-Cartesian View: Enactivism in Aesthetics
  • Chapter 13 Enactive Aesthetics: Philosophical Reflections on Artful Minds
  • Chapter 14 Neuroaesthetics as an Enactive Enterprise
  • Chapter 15 Aesthetics as an Emotional Activity That Facilitates Sense-making: Towards an Enactive Approach in Aesthetic Experience
  • Chapter 16 Enactive Literariness and Aesthetic Experience: from Mental Schemata to Anti-representationalism
  • Part V Creating with and for the Embodied Mind
  • Chapter 17 Creativity in Digital Fine Art
  • Chapter 18 Autopoietic Aesthetics as a Lens for Interactive Art
  • Chapter 19 No Neuron Is an Island: a Neuroaesthetic Inquiry into Omer Fast’s Mimetic Interactions.