Teaching Sound Film A Reader /

• Κύριος συγγραφέας: Cardullo, R. J. (Συγγραφέας)
• Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
• Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
• Γλώσσα: English
• Έκδοση: Rotterdam : SensePublishers : Imprint: SensePublishers, 2016.
• Θέματα: Education.; Education, general.

Teaching Sound Film: A Reader</i> is a film analysis-and-criticism textbook that contains 35 essays on 35 geographically diverse, historically significant sound films. The countries represented here are France, Italy, England, Belgium, Russia, India, China, Cuba, Germany, Japan, Russia, Romani...

Πίνακας περιεχομένων:

• List of Figures
• Introduction
• The Front Page, Dramatic Farce, and American (Film) Comedy
• Period Piece, Peace Picture: Renoir’s La Grande illusion Reconsidered
• The Real Fascination of Citizen Kane: Welles’s Masterpiece Reconsidered
• Italian Neorealism, Vittorio De Sica, and Bicycle Thieves
• Death Wish, Child’s Whim, Auteurist Will: Boyer and Clément’s Forbidden Games Replayed
• Circumstantial Evidence: Akira Kurosawa and The Seven Samurai
• The Artistic Achievement of Federico Fellini: The Nights of Cabiria as Exemplum
• Farce, Dreams, and Desire: Billy Wilder’s Some Like It Hot Re-Viewed
• Married to the Job: Ermanno Olmi’s Il posto
• Neorealist Art vs. Operatic Acting in Pasolini’s Mamma Roma
• Trainspotting: Jiří Menzel’s Closely Watched Trains
• Thought, Feeling, and the Cinema of Francis Ford Coppola: The Rain People as Exemplum
• The Fall of Béatrice, the Salvation of Pomme: Simultaneity and Stillness in Goretta’s The Lacemaker
• Wooden Allen, or Made in Manhattan
• Memories Are Made of This: Rainer Werner Fassbinder’s Veronika Voss
• Case Reopened: Mrinal Sen’s The Case Is Closed
• Epiphanies: Nanni Moretti’s The Mass Is Ended
• Comedies Are Proverbial: Eric Rohmer’s Boyfriends and Girlfriends
• Finnish Character: Aki Kaurismäki’s Ariel
• Law of the Jungle: Idrissa Ouédraogo’s Tilaï
• María Novaro’s Danzón in Light of the Cinema of Pedro Almodóvar
• Work, Family, and Politics: Ken Loach’s Riff-Raff
• The Uses of History: Chen Kaige’s Farewell, My Concubine
• The Prison-House of Sexuality: Tomás Gutiérrez Alea’s Strawberry and Chocolate
• Lower Depths, Higher Planes: The Dardennes’ La Promesse
• Wind and Dust: Abbas Kiarostami’s The Wind Will Carry Us
• Of Human Bondage and Male Indulgence: Amos Gitai’s Kadosh
• Latino Art through European Eyes, or against the American Evil Eye: Barbet Schroeder’s Our Lady of the Assassins
• All about My, Your, Their Mother: Andrucha Waddington’s Me, You, Them
• The Space of Time, the Sound of Silence: Tsai Ming-Liang’s What Time Is It There?
• Shoot the Piano Player: The Piano Teacher and the Cinema of Michael Haneke
• An Afghan Is a Woman: Siddiq Barmak’s Osama
• Engendering Genre: Hong Sang-Soo’s Woman Is the Future of Man
• Suffer the Children: Andrei Kravchuk’s The Italian
• The Big Wait: Corneliu Porumboiu’s Police, Adjective
• Glossary of Basic Film Terms
• Film Credits and Directors’ Feature Filmographies
• General Bibliography
• Topics for Writing and Discussion
• Appendix A: Theater versus Film, Redux: An Historical Overview
• Appendix B: Playing to the Camera or the House: Stage vs. Screen Acting
• Appendix C: Art-House Cinema, Avant-Garde Film, and Dramatic Modernism
• About the Author
• Index. .