Taiwan Cinema, Memory, and Modernity

This book investigates the aesthetics and politics of Post/Taiwan-New-Cinema by examining fifteen movies by six directors and frequent award winners in international film festivals. The book considers the works of such prominent directors as Edward Yang, Tsai Ming-liang and Chang Tsuo-chi and their...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: Chang, Ivy I-chu (Συγγραφέας, http://id.loc.gov/vocabulary/relators/aut)
Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
Γλώσσα:English
Έκδοση: Singapore : Springer Singapore : Imprint: Palgrave Macmillan, 2019.
Έκδοση:1st ed. 2019.
Θέματα:
Διαθέσιμο Online:Full Text via HEAL-Link
Πίνακας περιεχομένων:
  • Introduction
  • The Visible and the Invisible: Edward Yong's Taipei Trilogy
  • The Ruin, Body, and Time-image in Tsai Ming-Liang's Films: The Wayward Cloud, What Time Is It There, and I Don't Want to Sleep Alone
  • Colonial Reminiscence, Japanophilia Trend, and Taiwanese Grassroots Imagination in Cape No. 7
  • Mourning Love: Queer Performativity and Transformation in Zero Chou's Spider Lilies and Splendid Float
  • Aesthetics of Violence and Elegy for the Young: Chang Tsuo-chi's Gang Trilogy
  • Repressed Memories and the Unhomely in Chung Mong-hong's Children Trilogy.