Taiwan Cinema, Memory, and Modernity
This book investigates the aesthetics and politics of Post/Taiwan-New-Cinema by examining fifteen movies by six directors and frequent award winners in international film festivals. The book considers the works of such prominent directors as Edward Yang, Tsai Ming-liang and Chang Tsuo-chi and their...
Κύριος συγγραφέας: | |
---|---|
Συγγραφή απο Οργανισμό/Αρχή: | |
Μορφή: | Ηλεκτρονική πηγή Ηλ. βιβλίο |
Γλώσσα: | English |
Έκδοση: |
Singapore :
Springer Singapore : Imprint: Palgrave Macmillan,
2019.
|
Έκδοση: | 1st ed. 2019. |
Θέματα: | |
Διαθέσιμο Online: | Full Text via HEAL-Link |
Πίνακας περιεχομένων:
- Introduction
- The Visible and the Invisible: Edward Yong's Taipei Trilogy
- The Ruin, Body, and Time-image in Tsai Ming-Liang's Films: The Wayward Cloud, What Time Is It There, and I Don't Want to Sleep Alone
- Colonial Reminiscence, Japanophilia Trend, and Taiwanese Grassroots Imagination in Cape No. 7
- Mourning Love: Queer Performativity and Transformation in Zero Chou's Spider Lilies and Splendid Float
- Aesthetics of Violence and Elegy for the Young: Chang Tsuo-chi's Gang Trilogy
- Repressed Memories and the Unhomely in Chung Mong-hong's Children Trilogy.