Chinese Ibsenism Reinventions of Women, Class and Nation /
This book is a study of the relation between theatre art and ideology in the Chinese experimentations with new selfhood as a result of Ibsen's impact. It also explores Ibsenian notions of self, women and gender in China and provides an illuminating study of Chinese theatre as a public sphere in...
Κύριος συγγραφέας: | |
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Συγγραφή απο Οργανισμό/Αρχή: | |
Μορφή: | Ηλεκτρονική πηγή Ηλ. βιβλίο |
Γλώσσα: | English |
Έκδοση: |
Singapore :
Springer Singapore : Imprint: Springer,
2019.
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Έκδοση: | 1st ed. 2019. |
Θέματα: | |
Διαθέσιμο Online: | Full Text via HEAL-Link |
Πίνακας περιεχομένων:
- Chapter 1 Introduction: Ibsenism and Reinventions of Chinese Culture
- Chapter 2 Modern Chinese Theatre as Public Sphere
- Chapter 3 Iconoclasm in Chinese Ibsenism
- Chapter 4 Divided Ibsenism in Divided China
- Chapter 5 Translation and the Dissemination of Ibsenism
- Chapter 6 Ibsenism as Individualism of the Self
- Chapter 7 Noraism and Class Ideology in Modern Chinese Fiction
- Chapter 8 Women and Gender in Modern Chinese Drama
- Chapter 9 Postsocialist Ibsenism Beyond Class Ideology
- Chapter 10 Reinventions of Women and Nation in Ibsen Performances
- Chapter 11 Ibsenism and Ideology in Chinese Playwriting
- Chapter 12 Conclusion: Chinese Ibsenism in the Politics of Global Literary Reception
- Chapter 13 Appendix 1: Chinese Translations and Rewritings of Ibsen's Works
- Chapter 14 Appendix 2: Chinese Stage and Film Productions of Ibsen's Plays
- Chapter 15 Bibliography.