Chinese Ibsenism Reinventions of Women, Class and Nation /

This book is a study of the relation between theatre art and ideology in the Chinese experimentations with new selfhood as a result of Ibsen's impact. It also explores Ibsenian notions of self, women and gender in China and provides an illuminating study of Chinese theatre as a public sphere in...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: Tam, Kwok-kan (Συγγραφέας, http://id.loc.gov/vocabulary/relators/aut)
Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
Γλώσσα:English
Έκδοση: Singapore : Springer Singapore : Imprint: Springer, 2019.
Έκδοση:1st ed. 2019.
Θέματα:
Διαθέσιμο Online:Full Text via HEAL-Link
Πίνακας περιεχομένων:
  • Chapter 1 Introduction: Ibsenism and Reinventions of Chinese Culture
  • Chapter 2 Modern Chinese Theatre as Public Sphere
  • Chapter 3 Iconoclasm in Chinese Ibsenism
  • Chapter 4 Divided Ibsenism in Divided China
  • Chapter 5 Translation and the Dissemination of Ibsenism
  • Chapter 6 Ibsenism as Individualism of the Self
  • Chapter 7 Noraism and Class Ideology in Modern Chinese Fiction
  • Chapter 8 Women and Gender in Modern Chinese Drama
  • Chapter 9 Postsocialist Ibsenism Beyond Class Ideology
  • Chapter 10 Reinventions of Women and Nation in Ibsen Performances
  • Chapter 11 Ibsenism and Ideology in Chinese Playwriting
  • Chapter 12 Conclusion: Chinese Ibsenism in the Politics of Global Literary Reception
  • Chapter 13 Appendix 1: Chinese Translations and Rewritings of Ibsen's Works
  • Chapter 14 Appendix 2: Chinese Stage and Film Productions of Ibsen's Plays
  • Chapter 15 Bibliography.