Chinese Shock of the Anthropocene Image, Music and Text in the Age of Climate Change /

This book examines China's role and its cultural productions in the process of environmental destruction and transformation, focusing on how various cultural media play a significant role in shaping and reproducing Chinese subject formation in relation to changing ecological conditions. It argu...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
Άλλοι συγγραφείς: Lo, Kwai-Cheung (Επιμελητής έκδοσης, http://id.loc.gov/vocabulary/relators/edt), Yeung, Jessica (Επιμελητής έκδοσης, http://id.loc.gov/vocabulary/relators/edt)
Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
Γλώσσα:English
Έκδοση: Singapore : Springer Singapore : Imprint: Palgrave Macmillan, 2019.
Έκδοση:1st ed. 2019.
Θέματα:
Διαθέσιμο Online:Full Text via HEAL-Link
Πίνακας περιεχομένων:
  • 1. Introduction: Impoverishing Anthropocene with Chinese Characteristics
  • Part I Disposing and Recurring
  • 2. The World Besieged by Waste: On Garbage, Recycling, and Sublimation
  • 3. The Environment and Social Justice in Chinese Documentaries: Crisis or Hope?
  • 4. Recognition, Reinhabitation, and Recreation: Engaging Nature in Hong Kong Literature
  • Part II Nonhuman and Mythic Spectres
  • 5. The Eternal Return of Mythology: The White (Green) Snake Legend in Maoist China and Colonial Hong Kong
  • 6. Magic Realism as a Critical Response to the Anthropocene
  • 7. Expansionist Ethnic Ecology: On Reading Jiang Rong's Wolf Totem
  • 8. Too Inhuman to Die; Too Ethereal to Become a Ghost: Children are Not Afraid of Death, Children are Afraid of Ghosts
  • Part III Ethnicity and Im-Purity
  • 9. The "Nature" of Ethnic Tensions: Under the Flaming Mountains as Xinjiang's First Novel
  • 10. "Original Ecology" Style of China's Minority Performing Arts: Examples from Uyghur Music
  • 11. Animals, Ethnic Minorities, and Ecological Concerns in Chinese Digital Cinema
  • 12. Pristine Tibet? The Anthropocene and Brand Tibet in Chinese Cinema
  • 13. Conclusion.