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oapen-20.500.12657-238402024-03-22T19:23:09Z Chapter 11 European Capitals of Culture y Clopot, Cristina Strani, Katerina Europe capitals culture thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies ‘What is Europe? It’s not just a series of banknotes’, an interviewee remarked when asked about European heritage. Our study of European Capitals of Culture (ECoC), one of the main European heritage programmes, proceeds in the same spirit, informed by the complex and disputed discussions of what Europe is (see, for example, Sassatelli 2002 ) and how, within such shifting grounds, European heritage might be interpreted (see, for instance, Delanty 2017 ; Niklasson 2017). Described by some as large- scale bottom- up cultural programming (Immler and Sakkers 2014 ), the ECoC programme has seen several cities across Europe compete for the title of European Capital of Culture for more than three decades now. Our research has focussed on three cities, Valletta as ECoC 2018 , Plovdiv as ECoC 2019 and Galway as ECoC 2020. We are conducting a discourse analysis of the submitted bids as the key documents related to each city’s participation in the programme; we are then investigating four common themes that emerge from this analysis: Europe, heritage, diversity and future. 2019-11-12 13:03:59 2020-04-01T09:30:31Z 2020-04-01T09:30:31Z 2019 chapter 1006298 OCN: 1135845199 9780429202964 http://library.oapen.org/handle/20.500.12657/23840 eng application/pdf n/a 9780367186760_oachapter11.pdf Taylor & Francis Heritage and Festivals in Europe Routledge 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb 92485eae-49d3-4534-86ef-f58799bc9e57 9780429202964 Routledge 18 open access
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OAPEN
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DSpace
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English
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| description |
‘What is Europe? It’s not just a series of banknotes’, an interviewee remarked
when asked about European heritage. Our study of European Capitals of
Culture (ECoC), one of the main European heritage programmes, proceeds
in the same spirit, informed by the complex and disputed discussions of what
Europe is (see, for example, Sassatelli 2002 ) and how, within such shifting
grounds, European heritage might be interpreted (see, for instance, Delanty
2017 ; Niklasson 2017). Described by some as large- scale bottom- up cultural
programming (Immler and Sakkers 2014 ), the ECoC programme has seen several
cities across Europe compete for the title of European Capital of Culture
for more than three decades now. Our research has focussed on three cities,
Valletta as ECoC 2018 , Plovdiv as ECoC 2019 and Galway as ECoC 2020. We
are conducting a discourse analysis of the submitted bids as the key documents
related to each city’s participation in the programme; we are then investigating
four common themes that emerge from this analysis: Europe, heritage, diversity
and future.
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| title |
9780367186760_oachapter11.pdf
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| spellingShingle |
9780367186760_oachapter11.pdf
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| title_short |
9780367186760_oachapter11.pdf
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| title_full |
9780367186760_oachapter11.pdf
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| title_fullStr |
9780367186760_oachapter11.pdf
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9780367186760_oachapter11.pdf
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| title_sort |
9780367186760_oachapter11.pdf
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| publisher |
Taylor & Francis
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| publishDate |
2019
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| _version_ |
1799945223053246464
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