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oapen-20.500.12657-239912024-03-22T19:23:13Z Early Film Culture in Hong Kong, Taiwan, and Republican China: Kaleidoscopic Histories Yueh-yu Yeh, Emilie Media thema EDItEUR::A The Arts::AB The arts: general topics thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts This volume features new work on cinema in early twentieth-century Hong Kong, Taiwan, and Republican China. Looking beyond relatively well-studied cities like Shanghai, these essays foreground cinema’s relationship with imperialism and colonialism and emphasize the rapid development of cinema as a sociocultural institution. These essays examine where films were screened; how cinema-going as a social activity adapted from and integrated with existing social norms and practices; the extent to which Cantonese opera and other regional performance traditions were models for the development of cinematic conventions; the role foreign films played in the development of cinema as an industry in the Republican era; and much more. 2019-11-09 03:00:32 2020-04-01T09:35:23Z 2020-04-01T09:35:23Z 2018 book 1006143 OCN: 1023628201 9780472073726;9780472053728 http://library.oapen.org/handle/20.500.12657/23991 eng application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 1006143.pdf https://cdcshoppingcart.uchicago.edu/Cart2/ChicagoBook.aspx?ISBN=9780472053728&press=umich University of Michigan Press 10.3998/mpub.9731616 10.3998/mpub.9731616 e07ce9b5-7a46-4096-8f0c-bc1920e3d889 9780472073726;9780472053728 365 Ann Arbor open access
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OAPEN
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English
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| description |
This volume features new work on cinema in early twentieth-century Hong Kong, Taiwan, and Republican China. Looking beyond relatively well-studied cities like Shanghai, these essays foreground cinema’s relationship with imperialism and colonialism and emphasize the rapid development of cinema as a sociocultural institution. These essays examine where films were screened; how cinema-going as a social activity adapted from and integrated with existing social norms and practices; the extent to which Cantonese opera and other regional performance traditions were models for the development of cinematic conventions; the role foreign films played in the development of cinema as an industry in the Republican era; and much more.
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1006143.pdf
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1006143.pdf
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1006143.pdf
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1006143.pdf
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1006143.pdf
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| publisher |
University of Michigan Press
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2019
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| url |
https://cdcshoppingcart.uchicago.edu/Cart2/ChicagoBook.aspx?ISBN=9780472053728&press=umich
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1799945236481310720
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