1005808.pdf

Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in thei...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Γλώσσα:English
Έκδοση: Amsterdam University Press 2019
Διαθέσιμο Online:https://www.aup.nl/en/book/
id oapen-20.500.12657-24323
record_format dspace
spelling oapen-20.500.12657-243232024-03-22T19:23:22Z The Greatest Films Never Seen: The Film Archive and the Copyright Smokescreen Op den Kamp, Claudy Film Studies thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in their collections. This book uses the prism of copyright to reconsider human agency and the politics of the archive, and asks what the practical implications are for educational institutions, the creative industries, and the general public.   2019-11-06 23:55 2020-03-27 15:48:21 2020-04-01T09:55:40Z 2020-04-01T09:55:40Z 2017 book 1005808 OCN: 1066190641 9789462981393 http://library.oapen.org/handle/20.500.12657/24323 eng Framing Film application/pdf 1005808.pdf https://www.aup.nl/en/book/ Amsterdam University Press 10.2307/j.ctv7r41zm 10.2307/j.ctv7r41zm dd3d1a33-0ac2-4cfe-a101-355ae1bd857a 9789462981393 174 Amsterdam open access
institution OAPEN
collection DSpace
language English
description Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in their collections. This book uses the prism of copyright to reconsider human agency and the politics of the archive, and asks what the practical implications are for educational institutions, the creative industries, and the general public.  
title 1005808.pdf
spellingShingle 1005808.pdf
title_short 1005808.pdf
title_full 1005808.pdf
title_fullStr 1005808.pdf
title_full_unstemmed 1005808.pdf
title_sort 1005808.pdf
publisher Amsterdam University Press
publishDate 2019
url https://www.aup.nl/en/book/
_version_ 1799945309877436416