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oapen-20.500.12657-243272024-06-05T14:15:47Z Cinematic Vitalism Pollmann, Inga Film Studies thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies This book draws new connections between twentieth-century German and French film theory and practice and vitalist conceptions of life from biology and philosophy. Inga Pollmann shows how the links between the two created a modernist, experimental, and cinematic strand of vitalism in and around the movie theater. Articulated by film theorists, filmmakers, biologists, and philosophers, this cinematic vitalism maps out connections among human beings, milieus, and technologies that continue to structure our understanding of film. 2019-11-06 23:55 2020-03-27 15:48:21 2020-04-01T09:55:45Z 2020-04-01T09:55:45Z 2017 book 1005804 OCN: 1135845017 9789462983656 http://library.oapen.org/handle/20.500.12657/24327 eng Film Culture in Transition application/pdf 1005804.pdf https://www.aup.nl/en/book/ Amsterdam University Press 10.2307/j.ctv5nph05 10.2307/j.ctv5nph05 dd3d1a33-0ac2-4cfe-a101-355ae1bd857a 9789462983656 257 Amsterdam open access
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OAPEN
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English
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This book draws new connections between twentieth-century German and French film theory and practice and vitalist conceptions of life from biology and philosophy. Inga Pollmann shows how the links between the two created a modernist, experimental, and cinematic strand of vitalism in and around the movie theater. Articulated by film theorists, filmmakers, biologists, and philosophers, this cinematic vitalism maps out connections among human beings, milieus, and technologies that continue to structure our understanding of film.
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1005804.pdf
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1005804.pdf
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1005804.pdf
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1005804.pdf
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1005804.pdf
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1005804.pdf
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1005804.pdf
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Amsterdam University Press
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2019
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https://www.aup.nl/en/book/
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1801184888602230784
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