1005657.pdf
This volume brings together a wide range of explorations of the ways in which technological innovations have established new and changing conditions for the experience and study of film. The book offers analyses by such leading figures in film studies as Tom Gunning and Charles Musser, who examine t...
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Amsterdam University Press
2019
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oapen-20.500.12657-244582024-03-22T19:23:23Z Technology and Film Scholarship: Experience, Study, Theory Hidalgo, Santiago Gaudreault, André The arts: general issues Electronic, holographic & video art Film history, theory & criticism thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema thema EDItEUR::A The Arts::AT Performing arts::ATJ Television thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism This volume brings together a wide range of explorations of the ways in which technological innovations have established new and changing conditions for the experience and study of film. The book offers analyses by such leading figures in film studies as Tom Gunning and Charles Musser, who examine the ways in which technological changes have altered the ways how cinema is conceived and how it is approached as an object of study. Contributors also look at the overlapping stages through which new experience is translated in institutionalized knowledge within the discipline. 2019-10-23 23:55 2020-03-27 15:48:21 2020-04-01T09:58:06Z 2020-04-01T09:58:06Z 2017 book 1005657 OCN: 1135844980 9789089647542 http://library.oapen.org/handle/20.500.12657/24458 eng Film Theory in Media History application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 1005657.pdf http://www.aup.nl/do.php?a=show_visitor_home&l=2 Amsterdam University Press 10.2307/j.ctt1zqrmrh 10.2307/j.ctt1zqrmrh dd3d1a33-0ac2-4cfe-a101-355ae1bd857a 9789089647542 408 Amsterdam open access |
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English |
description |
This volume brings together a wide range of explorations of the ways in which technological innovations have established new and changing conditions for the experience and study of film. The book offers analyses by such leading figures in film studies as Tom Gunning and Charles Musser, who examine the ways in which technological changes have altered the ways how cinema is conceived and how it is approached as an object of study. Contributors also look at the overlapping stages through which new experience is translated in institutionalized knowledge within the discipline. |
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Amsterdam University Press |
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2019 |
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http://www.aup.nl/do.php?a=show_visitor_home&l=2 |
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1799945265966219264 |