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oapen-20.500.12657-24462
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dspace
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oapen-20.500.12657-244622024-03-22T19:23:23Z Museums in a Digital Culture van den Akker, Chiel Legêne, Susan Educational administration & organization Educational strategies & policy thema EDItEUR::A The Arts::AB The arts: general topics thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts thema EDItEUR::U Computing and Information Technology::UG Graphical and digital media applications The experience of engaging with art and history has been utterly transformed by information and communications technology in recent decades. We now have virtual, mediated access to countless heritage collections and assemblages of artworks, which we intuitively browse and navigate in a way that wasn't possible until very recently. This collection of essays takes up the question of the cultural meaning of the information and communications technology that makes these new engagements possible, asking questions like: How should we theorise the sensory experience of art and heritage? What does information technology mean for the authority and ownership of heritage? 2020-03-27 15:48:21 2020-04-01T09:58:07Z 2019-10-23 23:55 2020-03-27 15:48:21 2020-04-01T09:58:07Z 2020-04-01T09:58:07Z 2017 book 1005653 OCN: 1135855913 9789089646613 http://library.oapen.org/handle/20.500.12657/24462 eng application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 1005653.pdf http://www.aup.nl/do.php?a=show_visitor_home&l=2 Amsterdam University Press 10.1515/9789048524808 10.1515/9789048524808 dd3d1a33-0ac2-4cfe-a101-355ae1bd857a da087c60-8432-4f58-b2dd-747fc1a60025 9789089646613 Dutch Research Council (NWO) 146 Amsterdam 640.004.801 CATCH-Agora Nederlandse Organisatie voor Wetenschappelijk Onderzoek Netherlands Organisation for Scientific Research open access
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OAPEN
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DSpace
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| language |
English
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| description |
The experience of engaging with art and history has been utterly transformed by information and communications technology in recent decades. We now have virtual, mediated access to countless heritage collections and assemblages of artworks, which we intuitively browse and navigate in a way that wasn't possible until very recently. This collection of essays takes up the question of the cultural meaning of the information and communications technology that makes these new engagements possible, asking questions like: How should we theorise the sensory experience of art and heritage? What does information technology mean for the authority and ownership of heritage?
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| title |
1005653.pdf
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| spellingShingle |
1005653.pdf
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| title_short |
1005653.pdf
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| title_full |
1005653.pdf
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| title_fullStr |
1005653.pdf
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| title_full_unstemmed |
1005653.pdf
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| title_sort |
1005653.pdf
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| publisher |
Amsterdam University Press
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| publishDate |
2020
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| url |
http://www.aup.nl/do.php?a=show_visitor_home&l=2
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| _version_ |
1799945216683147264
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