1005635.pdf
This spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as ins...
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Amsterdam University Press
2019
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| Διαθέσιμο Online: | http://www.aup.nl/do.php?a=show_visitor_home&l=2 |
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oapen-20.500.12657-24480 |
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oapen-20.500.12657-244802024-03-22T19:23:24Z Improvising Cinema Mouëllic, Gilles Society & culture: general thema EDItEUR::A The Arts::AB The arts: general topics thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts This spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. Improvising Cinema reflects both on the permanence of attempting improvisation and the relationship between technology and aesthetics. Mouëllic concludes preservation becomes even more invaluable in the case of improvisation, as the creative act exists only within the brief time span of the performance. 2019-10-23 23:55 2020-03-27 15:48:21 2020-04-01T09:58:15Z 2020-04-01T09:58:15Z 2014 book 1005635 OCN: 1135844945 9789089645517;9789089645159 http://library.oapen.org/handle/20.500.12657/24480 fre eng Film Culture in Transition application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 1005635.pdf http://www.aup.nl/do.php?a=show_visitor_home&l=2 Amsterdam University Press 10.2307/j.ctt6wp7x9 10.2307/j.ctt6wp7x9 dd3d1a33-0ac2-4cfe-a101-355ae1bd857a 9789089645517;9789089645159 200 Amsterdam open access |
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OAPEN |
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| language |
French English |
| description |
This spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. Improvising Cinema reflects both on the permanence of attempting improvisation and the relationship between technology and aesthetics. Mouëllic concludes preservation becomes even more invaluable in the case of improvisation, as the creative act exists only within the brief time span of the performance. |
| title |
1005635.pdf |
| spellingShingle |
1005635.pdf |
| title_short |
1005635.pdf |
| title_full |
1005635.pdf |
| title_fullStr |
1005635.pdf |
| title_full_unstemmed |
1005635.pdf |
| title_sort |
1005635.pdf |
| publisher |
Amsterdam University Press |
| publishDate |
2019 |
| url |
http://www.aup.nl/do.php?a=show_visitor_home&l=2 |
| _version_ |
1799945311496437760 |
