1005249.pdf

In this book, Thomas J. Connelly draws on a number of key psychoanalytic concepts from the works of Jacques Lacan, Slavoj Žižek, Joan Copjec, Michel Chion, and Todd McGowan to identify and describe a genre of cinema characterized by spatial confinement. Examining classic films such as Alfred Hitchco...

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Γλώσσα:English
Έκδοση: Northwestern University Press 2019
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spelling oapen-20.500.12657-248542021-11-12T15:58:22Z Cinema of Confinement Connelly, Thomas Arts Cinema Psychoanalysis space confinement Kubrik Hitchcock film In this book, Thomas J. Connelly draws on a number of key psychoanalytic concepts from the works of Jacques Lacan, Slavoj Žižek, Joan Copjec, Michel Chion, and Todd McGowan to identify and describe a genre of cinema characterized by spatial confinement. Examining classic films such as Alfred Hitchcock's Rope and Stanley Kubrick's The Shining, as well as current films such as Room, Green Room, and 10 Cloverfield Lane, Connelly shows that the source of enjoyment of confined spaces lies in the viewer's relationship to excess.  Cinema of Confinement offers rich insights into the appeal of constricted filmic spaces at a time when one can easily traverse spatial boundaries within the virtual reality of cyberspace. 2019-08-07 23:55 2020-03-12 03:00:33 2020-04-01T10:11:48Z 2020-04-01T10:11:48Z 2019-02-15 book 1005249 OCN: 1080201899 9780810139213;9780810139237 http://library.oapen.org/handle/20.500.12657/24854 eng application/pdf n/a 1005249.pdf Northwestern University Press b4699693-8bd9-4982-b22e-c153becb6f4b b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9780810139213;9780810139237 Knowledge Unlatched (KU) Evanston, Illinois 103110 KU Select 2018: HSS Frontlist Books Knowledge Unlatched open access
institution OAPEN
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language English
description In this book, Thomas J. Connelly draws on a number of key psychoanalytic concepts from the works of Jacques Lacan, Slavoj Žižek, Joan Copjec, Michel Chion, and Todd McGowan to identify and describe a genre of cinema characterized by spatial confinement. Examining classic films such as Alfred Hitchcock's Rope and Stanley Kubrick's The Shining, as well as current films such as Room, Green Room, and 10 Cloverfield Lane, Connelly shows that the source of enjoyment of confined spaces lies in the viewer's relationship to excess.  Cinema of Confinement offers rich insights into the appeal of constricted filmic spaces at a time when one can easily traverse spatial boundaries within the virtual reality of cyberspace.
title 1005249.pdf
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title_full_unstemmed 1005249.pdf
title_sort 1005249.pdf
publisher Northwestern University Press
publishDate 2019
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