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oapen-20.500.12657-24937
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oapen-20.500.12657-249372021-11-10T07:55:19Z Chapter 31 The End of a Golden Era of British Music? Boehm, Carola music industry creative industry bic Book Industry Communication::A The arts::AV Music The creative industries, and particularly our UK Music industry, are perceived as healthy, resilient and strong. However, with the ongoing policy changes in secondary and higher education, as well as the continued cuts to council budgets and the ongoing lack of commitment to wealth distribution and even investment in the whole nation, this golden era of the creative industries in the UK may not last. In my latest articles, I explore critical themes relevant for the UK Music industry and the UK creative sector as a whole. Current national policy expressions often omit to address these themes, which are necessary to safeguard our future creative resilience. In writing this article, much relevance will be drawn from making connections to recent public debates on what universities are for and what their role is within the creative economy. Attention is given to considering current governmental industry strategies critically and their relevance for the music industry, together with their sector responses. 2019-10-17 13:48:27 2020-04-01T10:14:35Z 2020-04-01T10:14:35Z 2019 chapter 1005169 OCN: 1135847156 9781138498211; 9781351016711 http://library.oapen.org/handle/20.500.12657/24937 eng application/pdf n/a 9781138498211_oachapter31.pdf Taylor & Francis Innovation in Music Routledge 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb 72f4a824-7864-41e5-8e88-2a8c13c21311 9781138498211; 9781351016711 Routledge 19 open access
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OAPEN
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DSpace
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| language |
English
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| description |
The creative industries, and particularly our UK Music industry, are perceived
as healthy, resilient and strong. However, with the ongoing policy
changes in secondary and higher education, as well as the continued cuts
to council budgets and the ongoing lack of commitment to wealth distribution
and even investment in the whole nation, this golden era of the creative
industries in the UK may not last. In my latest articles, I explore critical
themes relevant for the UK Music industry and the UK creative sector as
a whole. Current national policy expressions often omit to address these
themes, which are necessary to safeguard our future creative resilience. In
writing this article, much relevance will be drawn from making connections
to recent public debates on what universities are for and what their
role is within the creative economy. Attention is given to considering current
governmental industry strategies critically and their relevance for the
music industry, together with their sector responses.
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| title |
9781138498211_oachapter31.pdf
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| spellingShingle |
9781138498211_oachapter31.pdf
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| title_short |
9781138498211_oachapter31.pdf
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| title_full |
9781138498211_oachapter31.pdf
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| title_fullStr |
9781138498211_oachapter31.pdf
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| title_full_unstemmed |
9781138498211_oachapter31.pdf
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| title_sort |
9781138498211_oachapter31.pdf
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| publisher |
Taylor & Francis
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| publishDate |
2019
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| _version_ |
1771297616517136384
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