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oapen-20.500.12657-250772021-11-09T09:24:04Z The Cultural Practice of Immigrant Filmmaking Andersson, Lars Gustaf Sundholm, John Media & Communications immigrant minor cinema Transnational Film Historiography Public Sphere Film and Migration Accented cinema exilic cinema diasporic cinema film policy Swedish film history fabulation film curating bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFN Migration, immigration & emigration Based on a research project funded by the Swedish Research Council, this book analyses 40 years of post-war independent immigrant filmmaking in Sweden. John Sundholm and Lars Gustaf Andersson consider the creativity that lies in the state of exile, offering analyses of over 50 rarely seen immigrant films that would otherwise remain invisible and unarchived. They shed light on the complex web of personal, economic and cultural circumstances around migrant filmmaking, and discuss associations that became important sites of self-organization for exiled filmmakers: The Independent Film Group, The Stockholm Film Workshop, Cineco, Kaleidoscope and Tensta Film Association. 2019-05-30 23:55 2020-03-19 03:00:36 2020-04-01T10:20:49Z 2020-04-01T10:20:49Z 2019-04-30 book 1005017 OCN: 1165938451 9781789380538;9781789380606 http://library.oapen.org/handle/20.500.12657/25077 eng application/pdf n/a 1005017.pdf Intellect 10.1386/9781783209866 104807 10.1386/9781783209866 dba70200-fc42-4588-b068-f9ec198260f0 b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9781789380538;9781789380606 Knowledge Unlatched (KU) 104807 KU Open Services Knowledge Unlatched open access
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Based on a research project funded by the Swedish Research Council, this book analyses 40 years of post-war independent immigrant filmmaking in Sweden. John Sundholm and Lars Gustaf Andersson consider the creativity that lies in the state of exile, offering analyses of over 50 rarely seen immigrant films that would otherwise remain invisible and unarchived. They shed light on the complex web of personal, economic and cultural circumstances around migrant filmmaking, and discuss associations that became important sites of self-organization for exiled filmmakers: The Independent Film Group, The Stockholm Film Workshop, Cineco, Kaleidoscope and Tensta Film Association.
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